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The action takes place in real time, without intermission. The characters are told they have to brainstorm a presentation in 90 minutes, and we stay with them the whole time, keeping the tension high and mounting throughout. One brilliant thing about the play is that as the dread and paranoia grow to a fever pitch, the group’s way of working through scenarios and quibbling over nomenclature doesn’t change. Their problem-solving methodology is deeply ingrained, whether the problem they’re working through is their assigned task or doomsday scenarios of how much trouble they might be in and how best to navigate through it. They may not know if what they’re working on is ethically defensible or at all safe to have even gotten involved in, but they do know they’re very good at what they do.
Berkeley, ballet shoes part 5 that artistically and intellectually vibrant city, has long provided fertile ground for major achievements in the arts, letters, sciences and sometimes (albeit somewhat more modestly), even sports, Fitting nicely into the creative and intellectual richness of the area is the Berkeley Symphony, currently under the leadership of the brilliant young Portuguese-born conductor Joana Carneiro, who is frequently sought after to guest conduct many of the world’s great orchestras and music festivals..
One of the Symphony’s well-deserved bragging points is its frequent forays into contemporary music. Maestra Carneiro is also committed to opening new musical doors by including many contemporary works, along with classics, in programs she conducts here and throughout the world. But she won’t be conducting the Berkeley Symphony (or any others) for the next few months. Her physician has instructed her to refrain from conducting for the next few months due to her current pregnancy. The plucky Berkeley band won’t be left high and dry, however. It has engaged three young musical superstars to perform at its concert at Zellerbach Auditorium on Thursday. Mounting the podium to take Carneiro’s place will be German conductor Christian Reif.
Reif joined the San Francisco Symphony as its resident conductor and music director of the acclaimed San Francisco Symphony Youth Orchestra during the 2016-17 season, He came to San Francisco from Miami, where he was the Conducting Fellow with the New World Symphony for ballet shoes part 5 the past two seasons, He is also a member of Germany’s prestigious Conductor’s Forum (Dirigentenforum), Among his many successes have been leading the Munich Chamber Opera and the Tanglewood Music Center Orchestra. He also distinguished himself leading the Deutsche Staatsphilharmonie Rheinland-Pfalz in the world premiere of Mehmet C, Yesicay’s “Lieder aus der Fremde,” a work based on the current European refugee crisis..
The highlight of his Berkeley program will be the Bay Area premiere of young Bay Area composer Mason Bates’ Cello Concerto. Bates is piling up acclaim for his compositions and has recently been named the most-performed composer of his generation. Currently serving as the first-composer-in residence of the Kennedy Center for the Performing Arts in Washington, D.C., he is also teaching at the San Francisco Conservatory of Music. Bates’ music seems to fit happily into 21st century tastes with its utilization of the harmonies of jazz and techno rhythms. His music has been the first symphonic music to achieve widespread acceptance from delighted audiences for its creative integration of electronic sounds.
The new concerto will feature cellist Joshua Roman as soloist, The concerto is dedicated to Roman, who played the world premiere in 2014. According to Bates, the concerto’s origins came from his friendship with Roman, when they worked ballet shoes part 5 together in New York, In program notes he wrote that “Roman is beloved by just about everyone who meets him, and I am no exception. Immediately apparent is his unusual combination of enlightened prodigy and everyman approachability (he’s from Oklahoma.)”..
The other work on the program will be Beethoven’s idyllic Symphony No. 4. Details: 8 p.m. Jan. 26; Zellerbach Hall, UC Berkeley; $15-$74; 510-841-2800, www.berkeleysymphony. org.1. A preconcert talk, free to ticketholders, at 7 p.m.MORE BEETHOVEN ACROSS THE BAY: Would you believe – the San Francisco Symphony is also featuring Beethoven’s Symphony No. 4 in this week’s concert set, under the leadership of a young French guest conductor, Lionel Bringuier, music director of the Tonhalle Orchestra in Zurich. The San Francisco program will also feature the Piano Concerto in G Major by Maurice Ravel, with internationally acclaimed pianist Jean-Yves Thibaudet – a favorite of Bay Area piano fans. Zoltan Kodaly’s “Dances of Galanta” opens the program.
Details: 2 p.m, Jan, 26, 8 p.m, Jan, 27-28; Davies Hall, San Francisco; $25-$158,415-864-6000 www.sfsymphony.org.DOUBLING DOWN AT DAVIES: Sunday will be super busy at San Francisco’s premiere concert hall, An afternoon chamber program featuring San Francisco Symphony members includes Robert Schumann’s “Fairy Tales: Four Pieces,” Op, 132, for clarinet, viola, and piano; Gustav Mahler’s “Piano Quartet in A minor” and Beethoven’s “Septet in E-flat major.”, Later that evening, the visiting Prague Philharmonia will perform Bedrich Smetana’s “The Moldau” and two popular pieces by Anton Dvorak, ballet shoes part 5 his Cello Concerto and his Symphony No, 8. The soloist for the Cello Concerto is French cellist Gautier Capucon. Conducting is French-born Emmanuel Villaume, who is in his second year as music director and chief conductor of the Prague Philharmonia, and also in his fourth season as music director of the Dallas Opera.Details: Chamber music 2 p.m., $20-$40; Prague Philharmonia 7 p.m, $85-$129 (very few tickets remaining), 201 Van Ness, 415-864-6000, www.sfsymphony.org..