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“It’s so important to showcase the magical stories of our families,” Davis said. “After hearing the Drosches describe their Via experiences from over many years, everyone in the room really understood our mission and the real reason why we were here on this night.”. DISTINGUISHED HONOREES: The Commonwealth Club will be honoring another slate of community leaders at its 30th annual Distinguished Citizens gala, which will be held April 19 at its new permanent home on The Embarcadero in San Francisco. This year’s honorees are Leon and Sylvia Panetta, founders of the Panetta Institute for Public Policy; former Stanford University President John Hennessey; Nancy Pfund, founder and managing partner of DBL Partners; and Mary G.F. Bitterman, the president and director of the Bernard Osher Foundation.

For more details on the event, go to, SHARK STOPS BY THE TECH: Sharks defenseman Dylan DeMelo and students from Third Street Community Center came by the Tech Museum in downtown San Jose to help launch the  newest activity in the Tech Studio, “Innovation on Ice: Zamboni Design Challenge.” Through March 17, visitors can design their best ballet flats own wind-powered vehicle with reusable materials and test it out on a Sharks-themed mini rink, Check out more information at

THOSE WERE THE DAYS: Lou’s Village may be gone, but there are lasting memories from the legendary San Jose seafood-and-steak joint. Former co-owner Tom Muller posted a photo of a 1947 menu autographed by Lucille Ball on Facebook on Friday. The iconic redhead was a childhood friend of original owner Lou Santoro‘s wife, Alvina, and “would dine from time to time when in the Bay Area,” Muller posted. But the prices would be the most shocking thing for a contemporary diner to see: A New York steak or a filet mignon went for $2.25 or $3 for the “extra cut.” A half broiled lobster was $2.50, including melted butter, potatoes, vegetables and a hot roll.

Parkland, Sandy Hook, Virginia Tech, The memory of countless slain youths, shot down amid the seeming safety of school grounds, haunts the mind’s eye during this chilling if schematic “Office Hour.”, Julia Cho’s deeply disturbing drama, tautly directed by Lisa Peterson in its regional premiere at Berkeley Repertory Theatre, investigates far more than the fear of an active shooter roaming on campus, best ballet flats But in this era of mass slaughter and students’ marches that subtext is what leaves you with shivers and regret..

Cho, an ingenious playwright who brought us to tears with “Aubergine,” began this play long before the tragedy in Florida but it speaks eloquently to the nation’s collective sense of trauma. When you’re terrified, it’s hard to think straight, which is why Gina’s (Jackie Chung) fellow professors warn her about a sullen student named Dennis (Daniel Chung), branding him a “classic shooter.”. Gina tries to reach out to the grim young man, who slouches into his hoodie, shades and baseball cap as if chasing oblivion, because she understands the pain of being an outsider in American culture.

Like Dennis, Gina is Asian-American, she knows the strain of never quite being treated as a real American, so she tries to comfort him before he lashes out, The rest of the class just gets freaked out by his brooding and the menace generated by his creative writing assignments, which drip with sadism best ballet flats and rage, Gina is just an underpaid adjunct professor, scraping to get by, but she feels compelled to make the risk overture, As one teacher remarks: “There are broken people, always have been, always will, But now? It’s like they’ve been given ideas.”..

Cho (“The Language Archive”) lets the often bloodcurdling narrative unfurl in jagged shards, letting us puzzle through alternative scenarios of what happens to this troubled student, what becomes of the firepower that might be carrying in his backpack and whether Gina will make it out of this alive. Unfortunately the drama loses some of its hold over us in these scattershot permutations of possibility. Some of the parallel realities are harrowing, particularly those involving people cowering in the shadows while a rampaging gunman stalks the halls, but others are frustrating. The standoffs between the student and the teacher, often punctuated by bursts of gunfire, never build into something like resonance before being cut off.

Both key actors find shades in the spiral of emotions that sucks the characters into darkness, Daniel Chung nails Dennis’ ability to radiate blankness through eyes that seem almost dead, Jackie Chung pivots through a spectrum of feelings and best ballet flats fears in a dizzying dance macabre, Still it’s hard to hold onto a sense of connection and coherence amid the carnage, If each individual vignette had the power to stand on its own, as in Caryl Churchill’s “Love and Information,” we could find meaning in the dissonance, Or at least a feeling of questions desperate to be asked, But this “Office Hour” leaves us as uncertain as we are unsettled, the jolt of shots echoing in our ears..

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