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Plein-air opera?: The Livermore Valley Opera mounts its second Opera in the Vineyard concert this summer on Sunday at Retzlaff Vineyards in Livermore. Spread yourself a Sunday picnic and revel in the thrilling strains of arias — and some show tunes — from LVO favorites baritone Bernardo Bermudez, soprano Shawnette Sulker, tenor Christopher Bengochea and mezzo-soprano Nikola Printz. Fine wines will be available for purchase from Retzlaff (no corkage allowed), and there will be an “arias a la carte” section of the program where you can “purchase” an aria of your choosing to be sung at your table side. Details: 5-8 p.m.; $45 advance/$50 door, tables for eight available in advance for $340;— Sue Gilmore, Correspondent.

2 Bay Area originals on stage: Vocalist Ed Reed, 88, and pianist Larry Vuckovich, 80, come together July 16 for an evening of intimate jazz duets informed by their long, wending paths, The Yugoslav-born pianist endured fascist occupation and communist repression before moving with his family in the early 1950s to San Francisco, where he became a top-shelf accompanist known for his work with vocal stars like Mel Tormé and Jon Hendricks, Reed survived a decades-long heroin addiction and several prison stints, emerging late in life as a powerfully evocative musical storyteller, On ballads he’s often a revelation, Details: 4 p.m.; Piedmont Piano, Oakland; $20; 510-547-8188,— Andrew Gilbert, black ballet flats comfortable Correspondent..

Father and daughter bring their hearts to S.F.: Nat King Cole had his Natalie, and Tony Bennett has his Antonia. Famed father-daughter singer combos are few and far enough between that you should consider getting yourself to San Francisco’s Davies Symphony Hall July 17-18 to hear the Bennett duo perform. The incomparable Tony, now 90, and his 43-year-old singer-songwriter daughter have recorded together and shared the occasional stage. We’re not sure what particular scenario will unfold at Davies stage, but we’re willing to bet they will dig deep into the American Songbook. Details: 8 p.m. each night; $79.50-$159.50;— Sue Gilmore, Correspondent.

4th annual Desi Comedy Fest, 8 p.m, Aug, 16, Forty comedians of Indian, Pakistani, Bangladeshi, Afghani and Sri Lankan descent as well as performers from various minority groups and the LGBTQ community, Second Stage, Mountain View Center for the Performing Arts, 500 Castro St., Mountain View, $28-$38, or 650-903-6000The Comedy Get Down, Cedric The Entertainer, Eddie Griffin, D.L, black ballet flats comfortable Hughley and George Lopez, 8 p.m, Aug, 19, Shoreline Amphitheatre, Mountain View, $39.50-$99.50, or 800-745-3000Jim Gaffigan, “Noble Ape” tour, Sept, 17, Shoreline Amphitheatre, Mountain View, $29.50-$95,

Peninsula Youth Theatre 25th Anniversary Gala. 6:30 p.m. July 15. Reception, auction, performance by Emily Borromeo. Host is Amy Thompson. Alumni performers scheduled to appear include Meaghan Anderson, Lisa Normington Austin, Kim Beals, Leah Cohen, Caitlyn DeRouin, Anthony Feenan, Janel Healy, Alison Koch, Raissa Marchetti-Kozlov, Brian Miller, Jennifer Mitchell, Matt Nielsen, Katie Pimentel, Holly Smolik, Max Venuti, Davion Viney, Sallie Walecka, Judd Yort and Sage Yort. $50-$100. or 650-903-6000Broadway By The Bay. “A Taste of Broadway” fundraising gala. 5-9 p.m. July 23. Hors d’oeuvres, cocktails, desserts, live and silent auction. Entertainment, including Jack Mosbacher Band. $35 concert only. $75, admission plus two drink tickets. $750 for table for 10. Arts Day. 11 a.m.-2 p.m. July 23. Showcasing music and visual arts. Community School of Music and Arts, Finn Center, 230 San Antonio Circle, Mountain View. Free. or 650-917-6800, ext. 305Menlo Charity Horse Show gala. “Jazzed Up — San Francisco Style!” Aug. 11. Immediately following show-jumping event. Food, auction, performance by Diane Schuur. Menlo Circus Club, 190 Park Lane, Atherton. $275, reservations required; email gala@menlohorseshow.orgVictorian Days at the Old Courthouse. 11 a.m.-3 p.m. Aug. 13. Craft activities for children, Victorian Tea in historic Courtroom A, re-enactors playing local Victorian millionaires. Free admission to the museum, Victorian Tea is $5 for adults, $3 for youngsters. For reservations, call 650-299-0104 or visit Sponsored by Cypress Lawn Heritage Foundation. San Mateo County History Museum, Courthouse, 2200 Broadway St., Redwood City.

For shows that have so much in common, “The Four Immigrants: An American Musical Manga” and “Lizzie” aren’t very much alike, The former show, which opened this week on the TheatreWorks Bay Area stage, and the latter, which opened this week at City Lights Theater Company, both center around four characters, Both are musicals set around the turn of the 20th century, and both are based on true stories about outsiders, But that’s where the resemblance ends, “The Four Immigrants” uses vaudeville-style music to tell the story of a quartet of Japanese men who immigrate to San Francisco in 1904, black ballet flats comfortable “Lizzie” uses rock music to tell the story of Lizzie Borden, who was infamously accused of ax-murdering her parents in 1892..

“The Four Immigrants” is based on a 1931 comic book of the same name by Henry Kiyama. Playwright Min Kahng says he found it intriguing that Kiyama, a fine artist, would use what has come to be known as a graphic novel to share his story about immigrating to a new country with three friends. “One fascinating thing about the book is that he told his story in a style that was popular in his day,” Kahng says. “As for his style of art, you wouldn’t necessarily be able to tell that it’s a story about Japanese characters.”.

The playwright says Kiyama’s style choice played a role in how he approached his stage adaptation, “I felt it was important to me to black ballet flats comfortable really have it in (its original) time period,” he says, “The songs and dances are in the musical style of the America of the day, If Henry Kiyama had written a novel, it probably would have required a more Japanese musical form.”, “Lizzie” on the other hand, uses a goth rock score by Steven Cheslik-DeMeyer, Tim Maner and Alan Stevens Hewitt to show how its four characters evolve from repressed Victorian women to develop rock star attitudes, says director Lisa Mallette..

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