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He continues to work as a vocalist for hire in an array of settings, but his primary creative outlet is the genre-melding Aditya Prakash Ensemble, a group that grew out of his ethnomusicology studies at UCLA. Encompassing jazz musicians, hip-hop artists, new music performers and fellow Carnatic artists, the group plays its first major Bay Area concert April 19 at Berkeley’s Freight & Salvage. He’s earned ardent fans among some of his most adventurous colleagues, including Kale, the innovative Asian Underground musician who founded the Tabla Beat Science group.
“Aditya represents a new generation of dance shoes for seniors musician,” Kale said in an email, “He has studied his traditional craft extensively but is not afraid to take that language and art form into uncharted territories.”, While his ensemble reflects his vision, “it works as a community effort,” says Prakash, 29, “I’ll bring an idea to a rehearsal, and everybody contributes their ideas.”, The Ensemble can range in size from seven to 12 members, The group Prakash is bringing to Berkeley is a septet, drawing heavily on Bay Area-raised players, including Berkeley High alum trombonist Jonah Levine, Albany High alum pianist Julian Le and Sir Francis Drake High alum bassist Owen Clapp from Marin..
Berkeley High saxophonist/composer Hitomi Oba, another ensemble member, graduated from UCLA’s ethnomusicology program before Prakash; they met through mutual friends at the school. She’s played a key role in his ensemble in recent years and describes the group as a supremely stimulating work in progress where two profound improvisatory traditions, jazz and Carnatic music, engage in an ongoing dialogue. “We’re still learning each other’s art forms and aesthetics,” says Oba, whose teaching obligations at UCLA prevent her from playing the Freight gig (though she performs at the California Jazz Conservatory on April 29 with LA Signal Lab, a new-music/jazz collective). “It’s not a superficial slapping of two things together. It’s evolved to have its own sound that’s been getting more substantial.”.
Prakash brings a vast wealth of Carnatic experience into the ensemble, His mother Viji Prakash, a master of the Bharatanatyam dance tradition, founded one of Los Angeles’ first South Indian classical dance companies, At 7, Aditya Prakash started studying mridangam, a double-sided drum essential to South Indian music, and a few years later turned his focus to Carnatic vocals, With steady encouragement from his family and Indian musicians in town to perform with his mother’s dance company, Prakash started going to India every summer and winter break to study, “I was kind of obsessed,” he says, “My friends were listening to rock and pop and rap, I would only dance shoes for seniors listen to North and South Indian classical music in middle and high school.”..
Ravi Shankar heard Prakash’s name on the classical Indian music grapevine and asked him to his home in San Diego to give a brief recital. Prakash didn’t realize at the time that the performance was actually an audition. A giant of 20th century North Indian classical music, Shankar had a deep love of Carnatic music as well, and when Prakash finished his prepared program “he started requesting his favorite ragas and I ended up singing for several hours,” Prakash recalls. Life seemed to go back to normal after the command performance, but three months later, Shankar invited Prakash to join the Festival of India III tour, which meant taking three months off high school in the middle of his senior year, a gig that finally earned him “some cool points” among his peers.
His dance shoes for seniors musical horizons expanded radically during his years at UCLA with exposure to Western classical music and jazz, Chinese, Middle Eastern and North Indian classical music, He continues to work in traditional Carnatic settings, doing some of his most ambitious composing for the acclaimed Bharatanatyam dance company led by his sister, the Mythili Prakash Ensemble, If the Aditya Prakash Ensemble has a guiding influence, it’s Shakti, the pioneering 1970s Indo-jazz ensemble founded by tabla great Zakir Hussain and jazz guitarist John McLaughlin, “who came together out of a desire to create something beautiful and meaningful,” Prakash says, “In our group, all of us were intrigued by each other’s styles, It’s an exchange of ideas, a response to being enamored.”..
Divisive times call for unified movements. That’s the sentiment adding a jolt of urgency to the 19th annual Bay Area Dance Week, the vast open-door celebration of all things terpsichorean that runs from April 21-30 in studios, theaters, and classrooms around the region. Presented by Dancers’ Group, an essential and often behind-the-scenes force energizing the Northern California dance scene, Dance Week arrives at a moment when “the idea of coming together with all our differences is so powerful,” says Dancers’ Group executive director Wayne Hazzard.
“I think of the Women’s March and the idea of all these people coming together, Each was carrying their own signs and their own history, That is so resonant, particularly to our dance communities, whether somebody is making political-based art or not.”, With free admission to all events, Dance Week is designed to coax curious people into trying or dance shoes for seniors checking out a style or tradition they’ve always been curious about, from tango, bhangra and ballet, to salsa, Balkan folk dance and aerial arts, BADW also recognizes the contributions of leading choreographers and organizations like Oakland’s Mix’d Ingrdnts Dance Company, this year’s Dancers Choice Award winner..