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That’s not a far cry from what Biden said on Thursday night. And in most situations, a party that lost a presidential campaign wouldn’t so fiercely guard the good name of the candidate who lost – much less one who had just lost a second presidential campaign in eight years. Republicans, for instance, were only so happy to place the blame for their 2012 loss squarely on the shoulders of Mitt Romney and his failure to connect with real people. The same goes for Democrats and John Kerry in 2004.
So why not Democrats in 2017? Part of the reason is that they simply don’t feel Clinton really lost, Russia’s hacking, FBI Director James Comey’s late announcement about freed studio pointe shoes her emails (and the media’s coverage of that issue) and her popular vote win have combined to create a genuine sense that she was robbed – almost literally so, And Clinton has only fed that beast with her repeated comments dissecting the unfair reasons why she lost, It’s a delicate dance for the likes of Biden and Sanders right now, They want to emphasize that the party can do better, but in doing so, they risk alienating some very passionate and outspoken Clinton supporters with an almost religious sense of righteousness about 2016..
On Tuesday night, from a not very handsome former home on Lambert Avenue in Palo Alto, came the sounds of beautiful, magnificent voices, singing Richard Strauss’s “Salome.”. The old building, right next to Gryphon Stringed Instruments, is the home of West Bay Opera, which has time and again proven to be a powerhouse, staging operas that are magnificent in every way. This “Salome” is a co-production with Escenia Ensamble of Mexico City, and is directed by that company’s artistic director, Ragnar Conde, and conducted by West Bay Opera General Director José Luis Moscovich.
Conde and Moscovich have teamed before, including with the stunning staging of “Faust” in 2015, and freed studio pointe shoes this production promises to be, again, musically and visually stunning, “The setting is a post-Trumpian dystopia,” reads a press release from the company, “The scorched and irradiated planet Earth, or whatever is left of it, as a consequence of the wanton blurring of moral and ethical limits of an irresponsible generation, Salome is the personification of the kind of self-entitled excess that can only spring forth from such decadence.”..
It is the story of Herod Antipas, Tetrarch of Judea, who has the hots for his stepdaughter, Salome. Narraboth, captain of the guards, also has, uh, romantic yearnings for Salome. Salome, though, is only interested in Iokanaan the prophet, who will have nothing to do with her, and finds fault with pretty much everybody. The opera is based on the French play “Salomé” by Oscar Wilde, which was translated into German by Hedwig Lachmann, then put into music and libretto by Strauss. It is a tale of lust, corruption, suicide and murder and includes a soprano stripping naked on stage and doing something perverted before being crushed to death by guards.
It was banned in some nations, including the United Kingdom, for many years because of all that, although these freed studio pointe shoes days it’s part of operatic repertoire worldwide, Why stage it?, “I love the music,” said Moscovich during a break from rehearsal on Tuesday, “I love the opera, And I love a challenge.”, And, Moscovich said, it is completely “current story of corruption and the excess of power,” citing particularly President Donald Trump’s words about his daughter Ivanka: “If Ivanka weren’t my daughter, perhaps I would be dating her.”..
On Tuesday, the rehearsal included tenor David Gustafson as Herod, in powerful voice and acting in a most dramatic fashion, begging Heather Green as Salome to have a drink with him, and to eat with him, but she is coldly uninterested. She only wants Jokanaan. Finally, Herod asks her to dance for him, and she agrees, which leads to the famous “Dance of the Seven Veils.”. He promises her anything she wants, and what she wants is Jokanaan’s head, severed from his body. It’s an amusing thrill to be at an opera rehearsal: West Bay Opera always brings in powerful, fabulous singers, but for rehearsal they are often just dressed in sweatshirts and exercise pants. It makes for ironic drama and comedy of its own.
Green has a beautiful, powerful voice, as does mezzo-soprano Michelle Rice as Herodias, wife to Herod and mother freed studio pointe shoes to Salome, The cast also includes baritone Isaiah Musik-Ayala as Jochanaan, Mexican tenor Alonso Sicairos León as Narraboth, Veronica Jensen as the Page of Herodias; Bulgarian bass baritone Kiril Havezov as the first soldier; tenor James Callon as the first Jew, and bass Chung-Wai Soong as the first Nazarene, among others, The West Bay Opera Orchestra has been expanded to almost twice its usual size to respond to the demands of the Strauss score, with half of the orchestra seated onstage, surrounding the action..