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And at least as the movie’s makers see it, emojis are the bridge between our virtual and actual lives. “Whether we realize it or not, emojis became this universal language and we all use them,” Rudolph points out. “Even my children, who don’t have their own devices, want to get on my phone and use emojis because it’s fun and they’re pictures. It’s a part of the world that we live in and it’s all happening so rapidly.”. “What I love about emojis, and why I think people love them so much, is the human heart has found a way to express itself even in a world of technology,” Leondis observes. “When my mother sends me an emoji, it really means something; it makes me smile, it touches my heart. So I feel like we are in a technological world, and I don’t know if that’s going to change, but the human heart finds ways to crack through it. Specifically with emojis, that’s what it’s all about.”.

Cristian Macelaru is heading west, Not just geographically, although he comes to his first season as music director of the Cabrillo Festival of Contemporary Music from his current post as conductor-in-residence of the Philadelphia Orchestra, It’s a shift in focus as well, Like conductor Marin Alsop, his Cabrillo predecessor, Macelaru is eager to embrace the forward-thinking West Coast atmosphere that has long distinguished this annual new music event, “I can’t wait,” Macelaru said in a recent phone call, “It’s been a long time in the making, so for me, I feel I’ve lived with Cabrillo for some time now, But it’s very exciting to experience it for freed studio professional pointe shoes the first time, The music is amazing, and the artists that are coming are all fabulous, It’ll be great to finally experience the incredible vibe that Cabrillo is known for.”..

Indeed, Macelaru, 37, who was appointed music director last September, seems to be picking up right where Alsop left off. This season includes seven world premieres, 11 composers in residence and an international roster of guest artists. New works by Karim Al-Zand and Michael Gandolfi are featured, along with a piece by David T. Little celebrating the centenary of Lou Harrison and one by Gabriela Smith marking the 70th birthday of composer John Adams. Star percussionist Evelyn Glennie will premiere Clarice Assad’s new percussion concerto; Jake Heggie unveils a new orchestral suite drawn from his opera, “Moby Dick”; and a piano concerto by Gerald Barry makes its U.S. debut — “a quirky, funny, incredibly out-there piece similar to the kind of musical jokes that Haydn and Mozart loved,” says Macelaru.

Works by Aaron Jay Kernis, Gabriela Lena Frank and William Bolcom are also on the schedule, Macelaru certainly isn’t new to contemporary music; in Philadelphia, he introduced works by several of the composers he’ll present here, including Gandolfi and Al-Zand, The night before we spoke, he had conducted John Corigliano’s Violin Concerto in Boulder, Colorado, “It’s a masterpiece, a piece I love very much,” he said, But at Cabrillo, new works are the main event, and Macelaru says the festival offers a unique opportunity to explore contemporary issues, His first commissioned work for Cabrillo is Al-Zand’s “The freed studio professional pointe shoes Prisoner,” which addresses themes of criminal justice, Inspired by the writings of Adnan Latif, a Yemeni citizen who was imprisoned at Guantanamo Bay, it makes its world premiere Aug, 12 with bass-baritone Jonathan Lemalu as vocal soloist, “It’s a very emotionally and politically charged piece,” said Măcelaru, “Like Beethoven, Shostakovich, and Bernstein, Karim is using this platform to bring about a discussion on a social level.”..

Măcelaru’s also revamping the festival’s family concerts. “It’s something that hasn’t been a big focus in recent years, so I’m trying to encourage composers to write more for them,” he said. “My 6-year-old son just asked me if composers are still alive. Kids are interested in this question, and they love new things.” In addition to conducting duties this summer, Măcelaru will serve as narrator for Gandolfi’s family-friendly “Pinocchio’s Adventures in Funland.”. Born in Romania, Măcelaru trained as a violinist; while still in his teens, he became the youngest concertmaster in the history of the Miami Symphony Orchestra. Playing violin “was a beautiful part of my life, and I still love playing,” he says. “It just wasn’t enough. When you play in an orchestra, you never get to decide the music that’s being performed. There was so much repertoire I was interested in.” He made the transition to conducting, coming to prominence as the winner of the 2014 Solti conducting award. He still plays – he’ll perform in Cabrillo’s Aug. 9 fundraiser – but conducting is his passion.

“Even in school, I was always that guy who never said no to anything,” he said, “Composers were always asking me to do new pieces, and I would always say yes — even if you only got paid in pizza.”, As opening night approaches, Măcelaru said he’s already looking forward to future seasons, “For me, it’s very fulfilling to discover new voices,” he said, “I think every musician has the responsibility to seek out and expand their repertoire, Especially as a conductor, one has freed studio professional pointe shoes to constantly try to go beyond.”..

Contact Georgia Rowe at growe@pacbell.net. Most events at Santa Cruz Civic Auditorium; $30-$65; 831-426-6966; www.cabrillomusic.org. 8 p.m. Aug. 4:  A “Departures” themed program presents Michael Gandolfi’s “Points of Departure: Cabrillo,” Clarice Assad’s Percussion Concerto “AD INFINITUM” with Evelyn Glennie and Aaron Jay Kernis’ Second Symphony. 8 p.m. Aug. 5: The first “Tributes” program features Gabriela Lena Frank’s Three Latin American Dances, James Stephenson’s Concerto for Violin Tributes, David T. Little’s “The Conjured Life Commemorating Lou Harrison’s Centenary” and Cindy McTee’s “Double Play.”.

1 p.m, Aug, 6: A free family-themed concert features Michael Gandolfi’s “Pinocchio’s freed studio professional pointe shoes Adventures in Funland.”, 8 p.m, Aug, 6: “In the Blue Room” features Clarice Assad on piano and vocals with percussionist Keita Ogawa, 6:30 p.m, Aug, 9: A “Music in the Mountains” fundraiser at Nestldown in Los Gatosincludes works by William Bolcom and Karim Al-Zand, performed by Jason Hardink, piano; Cristian Măcelaru, violin; concertmaster Justin Bruns and principal clarinetist Bharat Chandra; plus a performance by bass-baritone Jonathan Lemalu..



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