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Details: 8 p.m. March 1-3; $20-$30; 5 Fourjour: For those who delight in engaging in perhaps the quintessential 1980s rock debate — who was more awesome, Foreigner or Journey? — this tribute band ruins everything by performing cuts from both. But if you catch one of the group’s two performances at Pleasanton’s Firehouse Arts Center this weekend, you’ll be treated to a rush of classic tunes performed with what is said to be impressive accuracy. Details: 8 p.m. March 2-3; $25-$35; 925-931-4848,

6 “The American Sound”: This concert by touring all-stars from the famed Curtis Institute of Music in Philadelphia features a wide selection of works by Bernstein, Gershwin and Copland, The Curtis tour grishko pointe shoe comes to Stanford’s Bing Concert Hall on March 4, Details: Presented by Stanford Live; 4 p.m.; $25-$75; 650-724-2464,, 7 Celtic Nights: Get a jump start on St, Patrick’s Day celebrations with this touring production that tells a sweeping multimedia story of Irish history with song and dance..

Details: 8 p.m. March 2; Heritage Theatre, Campbell; $49.50; 8 California Bach Society: The chorus will celebrate German Romantic composers — Schumann, Brahms, Mendelssohn — with three performances this weekend. Details: 8 p.m. March 2 at St. Mark’s Lutheran Church, San Francisco; 8 p.m. March  3 at All Saints’ Episcopal Church, Palo Alto; 4 p.m. March 4 at St. Mark’s Episcopal Church, Berkeley; $10-$35; 9 “Revolt. She Said. Revolt Again.” The title reminds one a little of the feminist catchphrase — courtesy of Senate Majority Leader Mitch McConnell, referring to U.S. Sen. Elizabeth Warren — “nevertheless, she persisted.” And indeed, this dark comedy by Alice Birch marking Crowded Fire Theater’s 20th anniversary season is meant to turn a variety of traditionally patriarchal phrases and customs on their head. Go to for a feature on the play.

Details: Through March 24; Crowded Fire Theater, San Francisco; $10-$35;, 10 Melissa Etheridge benefit concert: The rocker known for such grishko pointe shoe 1980s-’90s hits as “Bring Me Some Water” and “Come to My Window” comes to Walnut Creek’s Lesher Center ON March 3 to perform in a fundraiser for Case Appointed Special Advocates, a group that aids children who have been removed from their homes due to a legal or health emergency, The event is organized by ABC-7 news anchor Dan Ashley..

In the early moments of Sunday’s “American Idol” season opener — shortly after a Disney-ish, when-you-wish-upon-a-star voiceover cameo by Carrie Underwood — the familiar mug of Ryan Seacrest appears on screen and declares, “It’s the dawn of a new era!”. Yes, have you heard the news? “American Idol” is back and ready to resume the search for chart-topping superstars. OK, but a big, nagging question looms over ABC’s high-risk reboot. Do we actually want “American Idol” back?.

To recap: “Idol” aired for 15 seasons on Fox, During much of that run, the singing competition dominated the Nielsens, crushing grishko pointe shoe everything in its path, But toward the end, the ratings plunged and the cost to make the show dramatically rose, Fox — with the cooperation of “Idol” producers — decided to send it off with a “farewell season.”, The thinking at the time was that “Idol” surely would return some day, as so many shows now do, It just needed a break, But less than two years after its swan song — and before many of us really had a chance to miss it — ABC is doing a very pricey revival, How pricey? It reportedly paid $25 million alone to secure pop superstar Katy Perry as a judge, and then recruited Lionel Richie and Luke Bryan (for leaner paychecks) to join her on the panel, They also brought back Seacrest as host..

Is there, though, any gas left in the “Idol” tank? Will this revival blow up in ABC’s face? There certainly are some scary red flags. Let’s begin with Seacrest, who recently has been dogged by sexual harassment allegations. He vehemently denies the claims and has continued to work through the turbulence. However, if the controversy gains momentum, it would present a messy dilemma for family-friendly ABC. Yes, the network could dump him, but the early episodes of “Idol” are already in the can and Seacrest is woven throughout them. Even if he stays, will his very presence be a turnoff for some viewers in the #MeToo era?.

Meanwhile, well before “Idol” left the air, it had been eclipsed by “The Voice” as television’s most popular singing contest, “The Voice” recently launched a new season on NBC and, to add insult to injury, boasts the first “Idol” winner Kelly Clarkson as one of its four judges/coaches, Is there still room in prime time for two singing shows? (A third show, Fox’s “The Four,” ended last month), And now a personal observation: Last summer I attended the “Idol” auditions in Oakland, where only 2,000 grishko pointe shoe wannabe pop stars — give or take a few — bothered to show up, That number might sound impressive, but I’ve covered “Idol” tryouts in the Bay Area for years and I can recall massive throngs that dwarfed the Oakland turnout..

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