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Rep. Anna Eshoo, D-Palo Alto, called the decision an “Alleluia moment” and a “clear victory for my constituents and the people of the Bay Area.”. “Passenger service began on this corridor during the presidency of Abraham Lincoln over 150 years ago,” Eshoo wrote in a statement. “Today, I am proud that our generation is able to build something worthy of the future of our region.”. Gov. Jerry Brown’s administration has pressed the Trump administration and Congress to support the project. During a trip to Washington in March, Brown raised the issue in meetings with Transportation Secretary Elaine Chao and Majority Leader Kevin McCarthy.
“Secretary Chao did the right thing on Caltrain,” Brown said in a statement, “This is not only good for California, it’s good for America.”, Chao originally blocked the grant after receiving a letter from all 14 of California’s Republican members of Congress opposing the project, “This is yet another bait and switch to deceive state taxpayers and take imaginary dollars from one project to pay for another, putting at risk California’s transportation future,” Rep, Jeff Denham, R-Turlock, said in a statement, repetto ballet flats review arguing that state funding for the project would come from money approved by voters for high-speed rail..
While California politicians have painted Trump as the state’s biggest nemesis, the Caltrain decision underscores the unpredictability of the Trump administration — as well as the president’s “willingness to play ball” when it comes to high-speed rail and other major infrastructure projects, said Bill Whalen, a research fellow at Stanford’s Hoover Institution. “Donald Trump marches to his own beat,” Whalen said. “Some days that’ll delight conservatives and other days it’ll drive conservatives crazy, and this is the latter.”.
One of the music world’s repetto ballet flats review most intriguing hybrids, “Les Enfants Terribles” combines music, choreography, vocalizing, and speech, Philip Glass’ 1996 “dance-opera” is based on Jean Cocteau’s 1929 novel about Paul and Lise, a strange brother and sister who occupy a world somewhere between fantasy and reality, The last in the composer’s trilogy based on Cocteau works (“Orphée” and “La Belle et la Bête” are the others), it explores the idea that imagination can have a profoundly transformative effect on reality – with powerful and sometimes unintended results..
According to Glass, “If ‘Orphée’ is Cocteau’s tale of transcendence and ‘La Belle et la Bête’ his romance, then ‘Les Enfants Terribles is his tragedy.”. As part of a worldwide celebration of Glass’s 80th birthday, Opera Parallèle is presenting four performances of the opera this weekend at the San Francisco Conservatory of Music. Conducted by Nicole Paiement, the new production stars baritone Hadleigh Adams and soprano Rachel Schutz in the title roles. Adams and Schutz previously partnered in Parallèle’s 2014 production of Poulenc’s “Les mamelles de Tirésias,” and Adams was a standout in the company’s giddy production of Jonathan Dove’s “Flight” earlier this season.
Audiences can expect a full sensory immersion with “Les Enfants Terribles.” Director Brian Staufenbiel helms the production, which includes film and multi-dimensional projections by designer David Murakami, Choreographer Amy Seiwert is creating the dance sequences, Nicole Paiement, Opera Parallèle’s founder and artistic director, conducts Glass’s original score for three pianos, performed by Keisuke Nakagoshi, Eva-Maria repetto ballet flats review Zimmermann, and Kevin Korth, Singers Andres Ramirez and Kindra Scharich, and dancers Steffi Cheong and Brett Conway, round out the ensemble..
Details: May 26, 7:30 p.m.; May 27, 2 and 7:30 p.m.; and May 28, 2 p.m.; San Francisco Conservatory of Music, 50 Oak Street, S.F.; $45-$95; www.operaparallele.org. “Psalm” with Chanticleer: The men’s chorus Chanticleer is closing out its 39th season with “Psalm,” a program of prayers, praises, laments, and exaltations from the Psalm of David. Included is a new setting of Psalm 116 by award-winning composer John Harbison, in his first work for Chanticleer. Other composers represented on the program span the centuries, from Palestrina to Poulenc. Details: “Psalm,” June 3 at 8 p.m. and June 11 at 5 p.m., SF Conservatory of Music; June 6, 8 p.m., Mission Santa Clara; June 7, 8 p.m., First Presbyterian Church, Berkeley; June 10, 8 p.m., St. Stephens Episcopal Church, Belvedere; $10-$60; 415-392-4400; www.chanticleer.org.
S.F, Girls Chorus repetto ballet flats review teams up: The beloved San Francisco Girls Chorus is giving its season finale concert on June 4 in collaboration with New York’s Trinity Youth Chorus, These gifted young singers will perform Vivaldi’s “Gloria,” John Tavener’s “Hymns of Paradise,” and the American premiere of “Song of Seals” by composer and SF Girls Chorus alumna Emily Doolittle, Details: June 4, 4 p.m., Herbst Theatre, S.F.; $26-$36; 415-392-4400; www.cityboxoffice.com, Steinway Society announces 17-18 season: Award-winning pianist Yeol Eum Son, a medalist at both the prestigious Tchaikovsky and Van Cliburn competitions, is one of the pianists featured in the Steinway Society’s 23rd season, announced last week, The season begins Sept, 9, 2017, with an appearance by Cliburn medalist Sean Chen; six additional programs are on the season, which runs through May 6, 2018, Most performances are at San Jose’s Trianon Theatre, Subscriptions are $225-$360; single tickets are $40-$60, available at 408-990-0872; for a complete schedule, visit www.steinwaysociety.com..