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“Hamilton” was nobody’s idea of a box-office bonanza. When you consider the elevator pitch, it’s lucky to have been staged at all. Imagine a musical based on a wordy biography about one of America’s less well-known founding fathers, an immigrant whose career high was serving as Treasury secretary. The score will include a lot of rap music, and performers of color will play most of the major roles. We’ll cover many arcane historical events. There are no singing cats, no levitating mansions or falling chandeliers, and no stars in the cast.
Yet as we all know, “Hamilton” has turned into a full-blown cultural phenomenon since its 2015 Broadway premiere, It has worked its way into conversations far beyond the world of theater, In the past half century, only suffolk pointe shoes a handful of shows – “Hair,” “A Chorus Line,” “Rent,” “The Book of Mormon” and arguably one or two others – seem to have come out of nowhere to surf the spirit of the moment and attract vast new audiences, many of whom have never seen a Broadway musical before..
That list is remarkable not only for its brevity, but its diversity; on the surface, none of these shows have much in common. That begs the question: Is there a crucial element or quality that all dark horse musicals share?. The most obvious common trait among surprise-hit Broadway shows is that they confound our expectations about the genre, said Jack Viertel, senior vice president of Jucamcyn Theaters in New York and author of “The Secret Life of the American Musical.” “I think people have a very traditional conception of what a musical is, and some people think it has nothing to do with their interests: ‘I’m cooler than that. I’m hipper than musical theater.'”.
A breakthrough musical defies those rules and appeals to nontraditional audiences in unexpected ways, Viertel says, “For example, ‘Hamilton’ really broke the diversity barrier, That was huge, and that’s going to change how shows are suffolk pointe shoes cast and who gets into the business and why.”, Another common characteristic of dark horse musicals is their ability to resonate strongly with trends and events that are grabbing headlines and flooding social media, “‘Hamilton’ really locked into the zeitgeist of our current times,” said Douglas C, Baker, producing director of Center Theatre Group in Los Angeles, “We’re in this very particular sociopolitical climate right now, There’s a great deal of discussion about immigrants in America; ‘Hamilton’ captures that – the issues of immigration and assimilation.”..
Timeliness is certainly a trait of many of the musicals on the dark horse list. “Hair” dealt with the long national trauma of Vietnam, which dominated the news when the show premiered in 1968. “Rent” looked at the devastating effect of AIDS in the mid-1990s, a time when it was still a death sentence. “Hamilton” also rode a bow wave of presidential approval and a related social media frenzy that began well before its premiere. “Hamilton” creator Lin-Manuel Miranda performed what would become the show’s opening number at the White House’s first Evening of Poetry, Music, and the Spoken Word in 2009. The Obamas loved it, and a YouTube video of the event went viral.
The confluence of artist, subject and president just seemed so right, “I dare you to watch the video , and not get a chill from the sight of a son of an immigrant rapping suffolk pointe shoes about the son of an immigrant to a son of an immigrant who became America’s first African-American president,” Vogue theater critic Adam Green wrote of Miranda’s White House performance, The most masterful aspect of “Hamilton,” and something that makes it unique on this list, is its dexterous combination of musical styles, Miranda proved in works such as “In the Heights” that he can effortlessly commingle traditional musical theater styles with many other worlds, In “Hamilton,” Miranda takes that integration to new realms, interweaving hip-hop, torch ballads, Sondheim, even touches of Andrew Lloyd Webber and Gilbert and Sullivan in a pastiche that simultaneously honors traditions and emphatically explodes their boundaries..
Theodore S. Chapin, president of the Rodgers & Hammerstein Organization, acknowledged “Hamilton’s” iconoclastic qualities. “It takes the rules and shifts them. It’s historical but modern. This is a guy who knows rap and knows Stephen Sondheim, and (integrating those styles) is the step no one has taken yet.”. Secretly traditional. Despite its well-deserved reputation as a ground-breaking musical, “Hamilton” obeys many of the traditional rules of the form, Viertel said.
“I think ‘Hamilton’ has all of the features of a classical musical, even though stylistically it’s not like that, It has a hero who has forces arrayed against him; a romance that’s easily threatened; an ‘I want’ song in the first act; a tent-pole song, It does everything a good musical is supposed to do.”, For that reason, “Hamilton” has the ability suffolk pointe shoes to pull in traditional musical-theater audiences as well as those who would otherwise never be caught dead inside a darkened hall watching actors sing and dance..