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The Blue Tango Project: A collaboration between award-winning Argentine tango vocalist/guitarist María Volonté and California blues harp player Kevin Carrel Footer, this duo combines two art forms known for unleashing potent emotions. Details: 12:30 -1:30 p.m. Aug. 3. The Herstory Collective: A project celebrating the Bay Area’s rich legacy of women in jazz, blues and funk, the group features three powerhouse vocalists — Valerie Troutt, Viveca Hawkins, and Kimiko Joy — backed by drummer Ruth Price, bassist/vocalist Aneesa Strings and pianist Sundra Manning. Details: 12:30 -1:30 p.m. Aug. 17.

Daymé Arocena: In her mid-20s, Cuban vocalist Daymé Arocena has become an international sensation and her new album “Cubafonía” lives up to the considerable hype, Details: 1-3 p.m, Aug, 19, Kugelplex with Linda Tillery: The Bay Area klezmer ensemble Kugelplex joins forces with Bay Area vocal legend Linda Tillery, whose celebrates her 69th birthday (and 50th year on the scene) with a soul-steeped dance party, Details: 1-2:30 p.m, Sept, 2, Brooklyn Raga Massive and Classical Revolution presents Terry supadance shoes ebay Riley’s “In C”: Co-founded by former Bay Area percussionist Sameer Gupta, Brooklyn Massive Raga transforms Terry Riley’s seminal minimalist work “In C” with classical Indian instrumentation, For this singular recital BMR is joined by the Bay Area string collective Classical Revolution, Details: 1-2:30 p.m, Sept, 16..

Celebrations for the 50th anniversary of the “Summer of Love” are underway, and, as the saying goes, “If you can remember the ’60s, then you weren’t really there.”. But for those too young to recall that era or who need their memories jogged to focus on the key ingredients — drugs, sex, rock ’n’ roll, hippies, yippies, communes and the counterculture — the Smuin dance company can help. Its season-closing program opens in Mountain View May 5-7, first stop on the company’s four-city tour, with the world premiere of “Be Here Now,” acclaimed choreographer Trey McIntyre’s tribute to that famous summer in the ’60s. If his previous commission for this company — 2010’s highly-praised “Oh, Inverted World” — is any indication, his latest piece (titled after the book by Ram Dass) should be totally fab.

The Smuin company approached him about making a work to commemorate that pivotal summer, and, despite being too young to have had any direct experience with it, “I was excited about it right away,” says McIntyre in a phone interview, “I am generally interested in popular music, and I’m interested in making pieces where I get to explore a culture or a historical period, but not necessarily create a narrative, “To learn about what that summer meant for San Francisco and what it meant culturally and get to immerse myself and learn from it has been a journey,” the choreographer continues, “Among everyone I talked to who was there, I supadance shoes ebay don’t think I found two people who had the same opinions about it, What that summer meant (to them) is wildly different, It was a bit of a Rorschach test for people, in that they could implant their life experience onto what was available at that time..

He says, “In the arts, it’s much the same way. When I make a dance, I don’t have an agenda for what someone is supposed to get out of the work. I create context that has a lot of meaning and comes from an authentic place of caring. Then the audience has to complete it by injecting their own experience into it.”. Since the score features a playlist of songs by icons of the period — the Mamas and the Papas, Sly and the Family Stone, Janis Joplin, the Steve Miller Band, the Hollies, Jefferson Airplane and the Youngbloods — audience members may find it hard to resist dancing in the street — I mean, aisles.

McIntrye’s secret, he explains, was “when I was studying at Houston Ballet and going through my own exploring of who I was, my friends and I gravitated to the music of the ’60s, I feel like this music is in me, even though it wasn’t from my era.”, After choreographing to his first choices, he found he couldn’t obtain permission to use some of them, He says, “I had to take the choreography I made on one piece of music and reconfigure it to work with the new music, It’s heartbreaking when a supadance shoes ebay song is turned down, but I’m also pretty dedicated, and said to myself that this is an opportunity to make this piece even better.”..

In case revisiting the ’60s isn’t on your bucket list, there are two other intriguing works on this program: Amy Seiwert’s “Broken Open,” a modern ballet work from 2015; and the premiere of Smuin dancer Nicole Haskins’ “The Poetry of Being,” set to Tchaikovsky’s string sextet, “Souvenir de Florence.”. Speaking about this work, Haskins says, “I was struck by how vastly different the two movements of the music are. The first is very energetic, complex and layered, whereas the second is much more those glorious Tchaikovsky strings that melt your heart. The challenge with only two movements was to make a cohesive piece — not that we have something here, and then we have something over there, and then it’s over.”.

But most important, she adds, “I’m hoping to evoke different feelings with the audience — that they get a glimpse supadance shoes ebay of a world that the dancers create on stage.”, Reading this on your phone? Stay up to date on Bay Area and Silicon Valley news with our new, free mobile app, Get it from the Apple app store or the Google Play store, Presenting “Dance Series 02” with “Be Here Now” by Trey McIntyre, “Broken Open” by Amy Seiwert  and “The Poetry of Being” by Nicole Haskins, When: 8 p.m, May 5, 2 and 8 p.m, May 6, 2 p.m, May 7..

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