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“We treat the intersection between jazz and Americana with a lot more nuance than when we started,” Myhre said. “Now everybody in the band has a pretty good handle on the genres that we swim around in. We’re able to make more informed musical choices at this point. And our sound is starting to really gel into something more cohesive.”. Most of the band’s songs are written by Myhre or Ousley. They also “reimagine” traditional songs, such as “Corina, Corina,” which appears on the new album.
“We’ll get introduced to a song at toddler ballet shoes with ribbons a jam and if we really like it, we’ll check it out on YouTube or on records and hear all the different ways people have done it, Then we’ll make up our own groove, sometimes add new lyrics, change the melodies a little bit and re-harmonize it, “It’s fun to explore what these songs from other times might have meant to people who were singing basically the same melodies and words back then — and how that’s different when it’s coming out of my mouth.”..
Beautiful notes were coming out of Myhre’s mouth even as a child, growing up in Florida. “My mom says I was singing before I was talking.”. She sang in church and school choir. In middle school, she learned to play clarinet. In university, she sang in a cappella groups. She was a backup singer for funk, hip-hop and Motown-style bands. She had gone to university with thoughts of becoming an urban planner, regional designer or landscape architect. After graduating, however, while in Louisiana, Myhre’s direction in life changed.
“I moved to New Orleans, for non-musical reasons, and heard people playing traditional music on Frenchmen Street, I’m sure I had heard like Louis Armstrong or Billie Holiday recordings before, But when I saw people performing the music live, I really got bit by the bug, I really, really loved it.”, She bought a clarinet from a toddler ballet shoes with ribbons pawn shop and began playing again, “People in New Orleans were very generous with me, generous with their time, their talent and expertise, And I learned to play that music.”..
Myhre and Ousley had fallen in love and they settled in D.C., his hometown. Ousley built Myhre a musical washboard, with a row of tonally designed, frog-shaped wood blocks at the bottom. With Bumper Jacksons, they built a fervent following in D.C. and Maryland, gradually extending the fan base across the country. Now on tour, they’re accompanied by Myhre and Ousley’s one-year-old son, Monk, named after Thelonious. The band builds strong connections with live audiences. Myhre said, “We would like to move people and inspire them, but also allow space for people to really let loose and get up and dance. We get wonderful feedback from people saying they were really excited by the music and that it allowed them, for that time we were together, to leave their troubles behind.
Caldwell Gallery: “Illuminating Insights” by Sloane Joseph, through Feb, 26, Caldwell Gallery, 400 County Center at the Hall of Justice, Redwood City, http://cmo.smcgov.org/arts-commission, Cantor Arts Center: “The Crown toddler ballet shoes with ribbons under the Hammer: Russia, Romanovs, Revolution,” through March 4 (also at Hoover Institution), “Rodin: The Shock of the Modern Body.” Open ended, Three galleries including nearly 100 Rodin sculptures; includes comparative works by his rivals, mentors, admirers and imitators, Cantor Arts Center, 328 Lomita Drive, Stanford, https://museum.stanford.edu/..
KCI Gallery: Indelible India Photo Exhibit. Through March 31. Krause Center for Innovation – Building 4000, Lower level, Foothill College, 12345 El Monte Road, Los Altos Hills. https://indelibleindiablog.wordpress.com/. Mountain View City Hall Rotunda: “Art Shapes the World,” Community School of Music and Arts Student and Faculty Art Show, through Feb. 28. Mountain View City Hall Rotunda, 500 Castro St., Mountain View. Free. http://www.arts4all.org or 650-917-6800, ext. 306. The Main Gallery: “Happenstance,” photographs by Nathalie Strand, through Feb. 11, 5-8 p.m. The Main Gallery,1018 Main St., Redwood City. www.themaingallery.org or 650-701-1018.
Pace Gallery: “Trans-figure,” sculptures and paintings by Kohei Nawa, through Feb, 25, Pace Gallery, 229 Hamilton Ave., Palo Alto, http://www.pacegallery.com/, Palo Alto Art Center: “Through That Which Is Seen,” various artists, through April 8, “Vibrant Bay Area: An Exhibit of Plein Air Paintings” by Peninsula Outdoor Painters, Feb, 24 through March 19, reception 2-4 p.m, Feb, 24, Palo Alto Art Center, 1313 Newell Road, Palo Alto, https://www.paacf.org/, Kepler’s Books: Sumbul Ali-Karamali, Vanessa Hua, Ksenia Lakovic, Kate Petersen, Anne Raeff, Kaitlin Solimine and Alia Volz, Story is the Thing, 7:30 p.m., Feb 22, $10, Literary Seminar, Dodie Smith’s “I Capture the Castle,” taught by Kimberly Ford, 1 p.m., Feb, 13, $48 for one session, includes book, Terese Marie Mailhot, “Heart Berries: A Memoir,” 7:30 p.m., Feb, 13, free, Michio Kaku, “The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality, and Our Destiny Beyond Earth,” 7:30 p.m., March 5, $15-$50, San Mateo Performing Arts Center, Leonard Mlodinow, “Elastic: Flexible Thinking in a Time of Change,” with Michael Shermer, 7:30 p.m., March 22, $15-$50, Michael Gazzaniga, “The Consciousness Instinct: Unraveling the Mystery of How the Brain Makes the Mind,” 7:30 p.m., April 4, $15-50, Leslie Jamison, “The Recovering: Intoxication and Its Aftermath,” with Angie Coiro 7:30 p.m., April 11, free, William T, toddler ballet shoes with ribbons Vollmann, “No Immediate Danger: Volume One of Carbon Ideologies,” 7:30 p.m., April 16, $15-55, Sally Kohn, “The Opposite of Hate: A Field Guide to Repairing Our Humanity,” 7:30 p.m., April 25, $15-50, Christopher Moore, “Noir,” 7:30 p.m., May 9, $15-50, Kepler’s Books, 1010 El Camino Real, Menlo Park, www.keplers.com..