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Bailey Hikawa’s scenic design consists of a large mass of small white and clear balls stuck together, symbolizing the HeLa cells, brought to life by the shifting shades of Stephanie Anne Johnson’s lights. Desiree Rogers displays vulnerability and a weary fed-upness as Deborah, Henrietta’s daughter, who was a toddler when her mother died and is appropriately wary when medical researchers come knocking on her door. There are a few references to the difficult life that Deborah has had, but aside from early motherhood and later walking with a cane, we don’t hear anything specific about her hardships.
Khary Moye is cheerful and charming as Henrietta’s loving husband, who can’t wait to dance with her when he comes home from work, Richard Pallaziol is both funny and disturbing as a long line womens ballroom dance shoes of white doctors, either giddy at the seeming miracle of these hardy cancer cells or coldly clinical, but in either case oblivious to Henrietta as anything more than a breeding ground for their real objects of interest, Akemi Okamura plays various doctors who display some glimmers of conscience, and Sarah Mitchell has a hilarious turn as the prideful first communist dog in space, sharing the rocket with some of Henrietta’s HeLa cells..
The ghost angle plays out like pretty much any other ghost story. Henrietta hangs out talking to the living that can’t hear her (except for the space dog) but might be subtly influenced by her. What makes it work is the mutual yearning for connection of the mother and daughter who never had a chance to know each other. Gunderson and Reddy’s script is packed with beautiful turns of phrase, poetic litanies and comical speeches that turn sobering in a hurry, all woven together seamlessly in director Evren Odcikin’s nicely nuanced staging.
Ultimately “HeLa” is less about Lacks herself than this strange, miraculous immortality that she was drafted into, and it’s good that TheatreFIRST will follow it up with a more personal story about the long-erased family, womens ballroom dance shoes For now, this particular science-enamored story is well told, Contact Sam Hurwitt at email@example.com, and follow him at Twitter.com/shurwitt, By Lauren Gunderson and Geetha Reddy, presented by TheatreFIRST, Through: June 17, Where: Live Oak Theatre, 1301 Shattuck Ave., Berkeley..
Behind the glitzy performances and glamorous costumes, ‘Cabaret’, opening at San Jose’s Center for the Performing Arts on June 6, tells a story that is as relevant today as it was 51 years ago. Behind the glitzy performances and glamorous costumes, “Cabaret” tells a story that is as relevant today as it was 51 years ago, according to the cast of the national tour set to arrive at San Jose’s Center for the Performing Arts on Tuesday. Directed by Sam Mendes and co-directed and choreographed by Rob Marshall, the revival of the timeless musical brings together a cast of veteran actors who breathe life into the infamous Kit Kat Klub, a seedy nightclub where the Emcee (Jon Peterson), Sally Bowles (Leigh Ann Larkin) and a raucous ensemble take the stage nightly to perform song-and-dance routines to audiences that at times include even members of the Third Reich.
Peterson, womens ballroom dance shoes a U.K, native who is well known for his roles on London’s West End, including “Cats,” “A Chorus Line” and “The Sound of Music,” said the Emcee is a complicated character who acts as fate, He “turns pages of the scenes as they unfold,” he said, “He’s instigating the events like a little puppet character, pulling the strings.”, Peterson has been involved with “Cabaret” in one form or another since 1998, a year after moving to the United States to further his career in theater, Of all the shows he’s done, he said “Cabaret” remains one of the few that keeps him inspired, He likened the story to a Shakespearean work..
“I’ve done about seven productions (of ‘Cabaret’) on and off,” he said. “It’s kind of like Shakespeare; so beautifully written. There isn’t a superfluous word in the script. It’s a brilliant piece. “What Sam Mendes and Rob Marshall did is they took the script and anything that was buttoned up in the 1960s, they made it honest,” Peterson added. “It’s always relevant, because it talks about fascism. It kind of has a resonance with what is going on here and in Europe. It’s a very cautionary tale but, of course, wrapped in a funny comedy.”.
Alison Ewing will step into the shoes of Fräulein Kost after playing Lulu in the 1998 Broadway production, Fräulein Kost is the oldest dancer in the Kit Kat Klub and an accordion player, Ewing described her character as a deep and dark individual, and one she enjoyed playing, “She is kind of a woman of the night, and she’s always sneaking failures in and out of her house,” she said, “She sort of aligns herself with a kind of a very bad man, He’s actually the Nazi in the show, and this show in the end turns out to womens ballroom dance shoes be about what each individual character does to survive in that time, 1930s Berlin, It’s a deep and complicated show with a political background, which makes it juicy and fun to play.”..