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Landreth later added at the Dec. 13 news conference, “we are still working through the calls for service on both the fire side and the police side, as well as some public works calls for service about illegal dumping.”. An open government advocate said the city has simply taken too long to make records of critical interest public. “They are well past the deadlines; unfortunately this is not unusual. You often see agencies drag these things out for an inappropriate amount of time,” said David Snyder, executive director of the First Amendment Coalition. But, he added, “given the public interest in this event … they really should have produced by now.”.
Lady Gaga did an amazing job with the national anthem at last year’s Super Bowl in Santa Clara, And many are expecting that the pop-music powerhouse dance sneakers womens will again rise to the challenge at this year’s big game, when she performs the Super Bowl Halftime Show on Feb, 5 in Houston, As per usual, there’s a lot of speculation over what songs will be performed during the Halftime Show, Here is our set list prediction, “Born This Way” – Could serve as a powerful closer or opener, but we’re going with the former, The song’s message, of self empowerment and acceptance, seems a perfect fit for the times..
“Bad Romance” – Easy transition from “Born This Way” to another upbeat club-friendly tune. This is where superstar DJs Skrillex and Kaskade (both of who have done “Bad Romance” remixes) make guest appearances. Reading this on your phone? Stay up to date on Bay Area and Silicon Valley news with our new, free mobile app. Get it from the Apple app store or the Google Play store. “Million Reasons”/”Perfect Illusions” – Gaga has to use the occasion to support her new album, “Joanne,” which, despite debuting at No. 1, is hardly setting the charts on fire. A medley of the two singles from “Joanne” should do the trick.
The nightclub singer has a crush on the stockbroker, who’s in love with the debutante, who’s engaged to an English aristocrat, What can be done? Well, for starters, the broker stows away on an ocean voyage to try to convince the debutante to run away with him, abetted by a gangster disguised as a priest, A teensy bit naughty and thoroughly nautical, “Anything Goes” is a dance sneakers womens work of pure escapism, a lighthearted musical comedy featuring thwarted romance, wacky high jinks and an impressive array of Cole Porter songs, The Pacific Coast Repertory Theatre production at Pleasanton’s Firehouse Arts Center serves as a helpful reminder of what a devilishly witty and dazzlingly catchy songwriting genius Porter was..
Some Porter hits originally from other shows were added in later revivals (“It’s De-Lovely,” “Friendship”), but it’s astonishing how many great Porter classics came out of this 1934 musical in the first place, such as “I Get a Kick Out of You,” “You’re the Top” and of course “Anything Goes.” Even the romantic “You’d Be So Easy to Love” was originally written for the musical but cut and introduced in a different show entirely, only to be reinserted decades later. Originally written by P.G. Wodehouse (of “Jeeves” fame) and frequent collaborator Guy Bolton, the musical was rewritten before opening by Howard Lindsay and Russel Crouse, the first collaboration by the duo that would go on to write “The Sound of Music.” The 1987 revival was further rewritten by John Weidman (“Pacific Overtures,” “Assassins”) and Timothy Crouse (Russel’s son).
Although not central to the romantic plot, cabaret singer Reno Sweeney is clearly the star attraction, as befits a role originated by Ethel Merman, dance sneakers womens In the Pacific Coast Rep production, Joy Sherratt is an appropriately brassy and boisterous Reno with a magnetic stage presence, At first she’s clearly putting on an exaggerated vintage shtick with her speaking voice, but that stops being obtrusive pretty quickly, and her musical numbers are terrific, especially when bolstered by her four backup Angels..
It’s hard to see what Reno sees in young broker Billy Crocker, who’s on the bland side as portrayed by Tim Wagner, but he does have an entertaining penchant for ludicrous disguises, courtesy of costumer Margaret daSilva. But of course Billy has eyes only for Amy Franklin Leonards’ listless Hope Harcourt, a blank and unresponsive society type who we’re led to believe loves him too under all that propriety. Artistic director David Judson gives the comedy a spirited staging, with a few lively big dance numbers choreographed by Suzanne Brandt. The small orchestra under the direction of Brett Strader does a fine job with Porter’s delightful songs, and so do the singers.
Michael Patrick Gaffney makes a keenly comedic drunkard as Billy’s boss, who never stops talking about being a Yale man, Chris Vettel is a pricelessly clueless but endearingly cheery aristocratic prat as dance sneakers womens Hope’s fiance Sir Evelyn Oakleigh, and Ali Lane is hysterically agitated as Hope’s frequently hoodwinked mother, Ray D’Ambrosio’s facial expressions are often hilarious in themselves as mischievous mobster Moonface Martin, and Melissa Momboisse is amusingly libidinous as abandoned gangster’s moll Erma..