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Spicer, however, did acknowledge that, politically, Sunday night’s Oscars would not be to the Republican president’s taste. “I think Hollywood is known for being rather far to the left in its opinions,” he said. Reading this on your phone? Stay up to date on Bay Area and Silicon Valley news with our new, free mobile app. Get it from the Apple app store or the Google Play store. Indeed, this Sunday’s Oscars ceremony is likely to be pretty politically charged and to contain a fair number of jokes and speeches that show disdain for the president and his controversial policies.
Trump’s decision could also have something to do with what some are calling the Streep effect, The president slammed actress Meryl Streep as “over-rated” and a “Hillary lover” after she took aim at him in at the Golden Globe Awards, as she accepted a Cecil B, DeMille award for lifetime achievement, Trump is not alone in being turned off by the Oscars or the progressive politics of the so-called Hollywood cultural elite, A survey by the Hollywood Reporter and the National Research Group shows that nearly two-thirds of Trump supporters turn off their TV sets when an actor launches into a pointe shoes inside political speech at an awards show..
The survey in early February canvassed 800 people, half of whom are Hillary Clinton voters and half whom are Trump voters), asking them for theiropinions about movies, award shows and politics. It revealed that two-thirds of Trump supporters have turned off their TV sets because of an actor giving a political speech at the podium, compared to just 19 percent of Clinton voters. Even if viewers don’t turn off their TV sets or mute the sound, 44 percent of Trump voters find awards speeches “too political,” while Clinton supporters want more politics at the Academy Awards, the survey showed.
Moreover, 43 percent of Clinton supporters said they want winners to reference Trump’s temperament in their speeches (compared to 8 percent of Trump voters), 39 pointe shoes inside percent would like more discussion of women’s rights at the Oscars (8 percent for Trump voters) and 34 percent would like more talk about Trump’s seven-nation travel ban (7 percent for Trump voters), the survey showed, But even before this divisive political year, the 45th president has not been a fan of the Oscars, And his displeasure seems to have nothing to do with politics..
Back in 2014, the then-“Celebrity Apprentice” host criticized the Oscars telecast on Twitter, writing, “This is Amateur Night — who the hell is in charge of this production?” and “I don’t know how much longer I can take this bulls–t — so terrible!”. — Donald J. Trump (@realDonaldTrump) March 3, 2014. Actually, in this complaint, the president has lots of company. Even his fiercest Hollywood elite opponents on immigration, women’s rights and environmental issues would agree that Oscar telecasts tend to be too long and bloated with uncomfortable dance numbers, awkward pacing and nonsensical film montages.
“La La Land,” an odds-on favorite to win best picture and a whole batch of pointe shoes inside other categories at Sunday’s Academy Awards, opens with a brief pan through gridlocked L.A, traffic, landing focus on a woman in a yellow dress, She gets out of her car and begins a dance that quickly inspires everyone else on the freeway to join in for a spontaneous production number featuring talented dancers who jump, kick, turn, and even break dance with the aplomb of professionals who have dedicated years to their craft..
That opening signals director Damien Chazelle’s intention to hark back to Hollywood’s “golden age” musicals such as “Singin’ in the Rain,” “Swing Time” and “An American in Paris.” But then the film’s focus shifts to leads Ryan Gosling and Emma Stone, two virtually untrained dancers who aren’t likely to make anyone forget Fred Astaire and Ginger Rogers. For members of Southern California’s dance community, “La La Land” is a mixed blessing – giving their art form the kind of big-screen exposure it hasn’t enjoyed in decades while not exactly showcasing the best technique the discipline has to offer. But despite a few qualms, they’re happy to see a movie that uses dance as a medium to tell a story to audiences.
“You have to look at it through the lens that pointe shoes inside these are normal people dancing,” says Patrick Corbin, professor of dance at USC’s Glorya Kaufman School of Dance, “The dances are more of inner monologue instead of show pieces, (The characters) don’t talk about falling in love, instead it all happens in the dancing.”, Choreographer and former dancer Nigel Lythgoe, who produces the TV show “So You Think You Can Dance,” views the film’s acclaim as a potential boon to dance, And while “La La Land” doesn’t quite compare to his favorite movie musical, “West Side Story,” Lythgoe does appreciate the bravery of Hollywood studio Lionsgate to produce what he calls as the first musical aimed at an adult audience in years..