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“This is a sacred place where our ancestors still reside,” Gould said this week. “We envision a living cultural space — revitalizing cultural traditions, like songs, language and dances.”. West Berkeley Investors has applied to build 155 apartments, about 30,000 square feet of stores and restaurants, and a six-level parking garage on the city block bounded by Fourth Street, University Avenue, the Union Pacific railroad tracks and Hearst Avenue. Formally known as 1900 Fourth Street, and currently serving as a parking lot, it is part of the city-landmarked West Berkeley Shellmound site.
Native American and other activists say the development would desecrate an indigenous sacred site, part of the oldest red shoe dance australia human settlement in the Bay Area, going back possibly as far as 5,700 years, Many human remains have been found nearby over the years, most recently those of five individuals uncovered last year during trenching work on another project immediately across Fourth Street, But members of the developer team have said that testing conducted at 1900 Fourth has turned up “no evidence, or even potential evidence, that cultural resources exist at the site.”..
Gould’s vision for the site includes a dance arbor and learning facilities, as well as daylighting Strawberry Creek. Chris Walker, an artist who is helping Gould develop the alternative vision, said the mound is conceived as “a wayfinder point that can be seen from all over the East Bay” and as a statement that “The Ohlone have not been forgotten.”. “To me, it’s a world heritage monument, something that all indigenous people around the world will recognize,” he said.
A season-long celebration of Leonard Bernstein’s centennial birth year, a semi-staged production of Mussorgsky’s “Boris Godunov,” programs exploring the symphonies of Charles Ives and the world premiere of a commissioned work by Charles Wuorinen are among the highlights of the San Francisco Symphony’s 2017-18 season, announced by music director Michael Tilson Thomas this week, The season – the Symphony’s 106th – runs Sept, 14, 2017, to June 30, 2018, with more than 200 concerts scheduled, Artist debuts, new works, recordings, and repertory favorites play key roles in the season as do some red shoe dance australia of the American masterworks that Tilson Thomas has championed throughout his career..
The Bernstein celebration is of particular interest, beginning with a program featuring the composer’s “Arias and Barcarolles,” “Chichester Psalms,” “Prelude, Fugue, and Riffs,” and Symphonic Dances from “West Side Story” (Sept. 22-24) and ending with a full concert version of the composer’s satirical operetta, “Candide” (Jan. 19-21, 2018.) Other Bernstein works throughout the season include “The Age of Anxiety,” Symphony No. 2, featuring pianist Jean-Yves Thibaudet, and a Film Series screening of “West Side Story” with live orchestra.(Feb. 1-3, 2018).
Tilson Thomas, an authority on Bernstein’s music, is a red shoe dance australia living link to the great American composer; he first met Bernstein during a summer at the Tanglewood Music Center in 1968, “It is a joy to celebrate my friend and longtime colleague Leonard Bernstein’s spirit and legacy through his music next season,” said Tilson Thomas, “Arias and Barcarolles,” he noted, “is especially dear to me because I was involved in its premiere in 1988, Bernstein was a great friend to many people and gifted us all his tremendously adventurous spirit.”..
Also featured this season are new and recent works by contemporary composers Andrew Norman, Brett Dean, Kaija Saariaho, Guillaume Connesson and Esa-Pekka Salonen. The season begins Sept. 14 with an Opening Night Gala in Davies Symphony Hall, featuring cellist Yo-Yo Ma performing works by Tchaikovsky and Saint-Saëns; Bernstein’s Overture to “Candide” and Ravel’s “Bolero” complete the program. Additional fall highlights include the return of pianist Jeremy Denk, performing Bartok’s Piano Concerto No. 2; violinist Augustin Hadelich, playing Mendelssohn’s Violin Concerto; two weeks of programs under Polish conductor Krzysztof Urbański, and a recital by pianist George Li as part of the Great Performers Series. In November, performances of Ives’ Symphonies No. 3 and 4 will be recorded for future release on the SFS Media label.
In other recording news, the Symphony’s Schumann cycle, recorded in 2015-16 and featuring all four of the composer’s symphonies, will be released as a two-CD set in October, Tchaikovsky’s “Pathetique” Symphony, which was performed and recorded in Davies Hall last week, will be released this June in digital format only, 2018 highlights include the world premiere by Wuorinen, a Pulitzer Prize winner and former S.F, Symphony composer in residence (March 15-17), a duo recital by Itzhak Perlman and Martha Argerich (March 16), and an red shoe dance australia all-Ravel program featuring mezzo-soprano Susan Graham, with conductor Charles Dutoit tracing Ravel’s historic 1928 conducting tour and only visit to the U.S, (April 19-21), Tilson Thomas adds to his list of triumphs in semi-staged works with three performances of “Boris Godunov,” featuring bass Stanislav Trofimov in the title role (June 14, 15, and 17)..