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Sarah Chang digs into Sumptuous Sibelius: Ever since her first Bay Area appearances as a young artist, violinist Sarah Chang has matured into a musician of formidable gifts, bringing a thrilling combination of technical precision and tonal allure to each new performance. Chang returns this week as soloist with the Asian Youth Orchestra to play the always-ravishing Sibelius Violin Concerto. Presented by Cal Performances, the program also includes Beethoven’s Symphony No. 7 and Richard Strauss’ “Don Juan.” Richard Pontzious conducts. Details: 8 p.m. Saturday; Zellerbach Hall, UC Berkeley; $36-$86; 510-642-9988;— Georgia Rowe, Correspondent.

Renaissance comes to life in San Jose: Discovery Meadow becomes a living history book Saturday and Sunday as 800 costumed performers and vendors of the San Jose Renaissance Faire and Fantasy Fest re-create the pageantry and ribaldry of Merrie Olde England, Jesters, jugglers, actors musicians and storytellers will perform, and jousts will go on both days in the Queen’s Tiltyard, Look for a wild array of fantasy characters too, as that event was rained out earlier this sewing elastic on pointe shoes year, Details: 10 a.m, to 6 p.m, Saturday, till 5 p.m, Sunday; $8-$18 at the gate, less with online and group discounts at— Linda Zavoral, Staff..

Terell Stafford kicks off Lesher Jazz series: While he’s not nearly as well known as his trumpet elders Wynton Marsalis and Terence Blanchard, the 51-year-old Terell Stafford is a similarly magnificent improviser, possessing a surfeit of soul and a warm, gleaming tone. He kicks off the monthlong Jazz Experience concert series at Walnut Creek’s Lesher Center on Saturday. Stafford has played as a sideman with the Clayton Brothers and Cyrus Chestnut, but this time he’s leading his own stellar quintet featuring saxophonist Tim Warfield and pianist Bruce Barth. The series also features singer Cyrille Aimee (Aug. 12), pianist Monty Alexander and his trio (Aug. 19) and the Warren Wolf/Edward Simon Quintet featuring Tia Fuller. Details: 5 and 8 p.m. each day; $40; 925-943-7469,— Andrew Gilbert, Correspondent.

Fremont’s big art bash is back: It’s a good thing Fremont is a spacious city, because the annual Festival of the Arts, sewing elastic on pointe shoes with 500 vendors, takes up a lot of acreage, And draws a lot of attendees, nearly 400,000 over two days, You’ll find live bands on two stages, a Kid City play zone, artisans, and food, wine and microbrew booths, New this year: Local artists will compete in a plein air contest with their painting, photography and chalk art, The festival site, along Paseo Padre Parkway, Walnut Avenue and nearby streets, is located a two-block walk from BART, Details: Free admission;— Linda Zavoral, Staff..

Ed Sheeran is a mostly savvy entertainer. He plays the hits, charms the crowd and does what it takes to keep a show moving and on track. He even wears the right clothes for the occasion. On Wednesday, that translated to Sheeran rocking a Steph Curry No. 30 Warriors jersey during the encore of his sold-out performance at the Oracle Arena in Oakland. His guiding mantra, it seems, is “if ain’t broke, don’t fix it.” And very little seems to change from tour to tour. Oh, sure, new songs pop up in the set list, as the 26-year-old British folk-pop hero continues to chart hits at an amazing pace. Otherwise, however, Wednesday’s show was so very similar — in terms of approach, overall feel and standout moments — to what Sheeran delivered in 2014 at the SAP Center in San Jose and even in 2013 at the Warfield theater in San Francisco.

On one hand, that made Sheeran’s latest Bay Area outing feel a bit boring at times, like watching “The English Patient” for sewing elastic on pointe shoes the third — or, let’s face it, even the first — time, But it was also a bit reassuring, like here’s a guy who refuses to change who he fundamentally is, even as his career continues to skyrocket, He’s in the same league with Katy Perry, Bruno Mars, Lady Gaga and other multiplatinum artists now, yet he still comes across like the most unassuming superstar in concert. He seems like a regular Joe, one who knows just how fortunate he is to be famous enough to land that much-discussed cameo on “Game of Thrones” and doesn’t care what his fellow fanboys and fangirls might think of it..

Sheeran took the stage at 8:30 p.m. with very little fanfare — no fireworks, countdown, dance routines or other choreographed stunts that you see with many of his contemporaries. The lights just dimmed a bit and Sheeran, wearing a white T-shirt and jeans, strolled out to center stage with his guitar. He stepped up to the microphone and began belting out “Castle on the Hill,” one of the many Sheeran cuts that are currently being played ad nauseam on pop radio. It was straight forward and effective — a coffeehouse approach translated to a basketball arena — as Sheeran simply let the music do the talking, continuing to spotlight the new album “÷” (pronounced “divide”) with a strong take on “Eraser.”.

He performed alone, but that’s definitely not how it sounded, As per usual, Sheeran leaned on “live looping” technology, using foot pedals to record himself playing guitar and vocal parts and then play them back as he moves on to the next part, Several of these “loops” will play at once, allowing Sheeran to layer his own vocal harmonies as well as accompany himself with multiple guitar parts, He is, in effect, creating his own one-man band, It’s an impressive sewing elastic on pointe shoes sight to behold — at least once, maybe twice, But, in 2017, it’s growing old, Not surprisingly, some of the best moments of the concert came when Sheeran left the live looping behind and took a more traditional approach, allowing fans to more fully focus on the lyrics..

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