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Though many arts institutions are hierarchies, passing down aesthetic validation to the public from an elite few at the top, YBCA has implemented a new structure that is more democratic and community-based. Yrigoyen said, “In 2015, all staff members got to nominate people who inspire us — artists, scholars, teachers, activists, all kinds of people. Then from those names Executive Director Deborah Cullinan and a cabinet chose the final ‘YBCA 100’ list. “We had a summit where those people came together to share their stories — tell what their work is about and what inspires them. Out of the summit came many questions, and Marc Bamuthi Joseph, the Chief of Programming and Pedagogy, and his team looked at all of them and picked three that YBCA will be using as jumping-off points for the coming year: ‘Why citizenship?’; ‘How do we design freedom?’; and What does equity look like?’ ”.
In an interview Transform choreographers Wendy Rein and Ryan T, Smith of the contemporary dance company RAWdance described their project. Smith said, “We’re thinking about what it means and what it takes and why it’s important to be an informed citizen.”, Rein added, “So our piece is centered around recurring waves of anti-intellectualism that work against having an educated population. We’re looking at political acts against intellectuals — first at Mao in China, and then going back further and studio shoes for yoga further in history, Our research shows that this has been happening across the globe for centuries and centuries.”..
They quickly discovered that, as Rein put it, “competing power structures” are “easier to translate into movement than ideas, and we’re working with a lot of books as props. We felt like that was the most tangible way to exemplify intellectualism. We are here to ask questions, we are here to provoke and prod.”. In a separate interview, dance and visual artist Jesse Hewit said, “Everything around citizenship and immigration is broken and needs to transform. I never claim that my piece can do anything. It’s an attempt, and comes from a desire, to locate, articulate, identify what is the real micro social person-to-person work that transforms our ideas of citizenship.
“My work helps show people that, when they consider others whom they don’t understand, they stop short of recognizing that the other person has a full physical, mental and emotional history — blood, bone, veins, heart, genitals, all of it,” he continued, “If you can’t read a face anymore or notice the movements of a body, how do you register a person as someone who matters?”, One interesting festival element is the stage design by Peruvian architect and designer Giacomo Castagnola, which will be used by all the performing groups, As an immigrant himself, now living in Mexico City, he said, “I wanted to relate the design to citizenship through ‘social choreography.’ I didn’t want to just design the stage area — I wanted to involve the audience, It’s about participation, feeling you are part of the performance, even if you are just watching, I didn’t want to force the dancers to studio shoes for yoga engage with the people, but I wanted to have the audience think about how they are seeing, how they are seated — how can I configure the audience to achieve that?”..
Hewit said Castagnola has succeeded in his goal. “Giacomo determined the space and sight lines for all of our pieces, and that was, in fact, choreography. It adds dynamism to the room. It enlivens people’s ability to be engaged in what’s going on.”. Other artists appearing in Transform are dancer-choreographer Larry Arrington; musician Sandra Lawson Ndu; conceptual artist Minoosh Zomorodinia; the dance-theater company the Embodiment Project; Fauxnique, the drag queen alter ego of Monique Jenkinson; the underground dance theater organization Fogbeast and the contemporary ballet company Amy Seiwert Imagery.
“The Bold Type” (9 p.m., Freeform): Jane gets an eye opening experience when she is tasked with writing a piece about a performance artist/activist who studio shoes for yoga is speaking out about sexual assault, Kat is distracted by thoughts of Adena while trying to throw a memorable NY Fashion Week party for Scarlet, And Sutton gets into an awkward situation with Richard, “Below Deck” (9 p.m., Bravo): It’s time to batten down the hatches as the sea-faring reality series returns for its fifth season, Captain Lee Rosbach, Kate Chastain (chief stew) and Nico Scholly (senior deckhand) — along with some newcomers — team up again for another Caribbean charter aboard the mega yacht “Valor.”..
“American Horror Story: Cult” (10 p.m., FX): The seventh installment of the popular creep-show franchise has a curious jumping-off point: last November’s presidential election. It goes on to track various characters’ responses to the shifting political realities of 2017. Of course, several “AHS” regulars return, including Evan Peters, who plays a scary but charismatic psychopath who incites fear in order to attract followers, and Sarah Paulson, a Donald Trump-hater prone to phobias. As always, expect a wild ride.
“Grave Mysteries” (10 p.m., ID): This new unscripted series revisits homicide cases in which detectives must reconstruct the victim’s final moments using their social media accounts and online history, Whether it be message threads or Facebook posts, detectives must rely on the victim’s digital past to uncover the true killer, “America’s Got Talent” (8 p.m., NBC), “The Fosters” (8 p.m., Freeform), “WWE SmackDown” (8 p.m., USA), “Leah Remini: Scientology studio shoes for yoga and the Aftermath” (8 p.m., A&E)..