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“You have guys who play a million notes a minute. And they’re wonderful at it. But if they were speaking, it might come out as gibberish. So I listen to guys like Louis Armstrong, Albert King and B.B. King. You know they have the speed and they can pull it out once in a while just to blow your mind. But most of the time, they’re playing in a way that, to my ear, is almost like they’re speaking in English. It’s like a dialect to me. It gets a message across.”. Besides playing on dozens of records by other artists — including Bonnie Raitt, Maria Muldaur and Pinetop Perkins — Freund has released outstanding albums of his own, the latest being “Come On In This House.”.
Freund eventually settled in Vallejo, where he still resides, At 65, after shoulder surgery, he is bouncing back and still pouring his heart into his music, He plays San Jose’s The Poor House Bistro on Aug, 23 with pianist Sid Morris and San Francisco’s The Saloon with vocalist Jan Fanucchi on Aug, 25, Freund headlines Redwood City’s Club Fox Blues Jam on Aug, 30, Freund, who freed aspire satin ballet shoes taught accredited courses on the blues at Chicago’s Columbia College, remains a student of the genre, “The stories in some of these songs are timeless, They’re about life and death, about relationships, They show how all humans are connected, in some way or another..
“A lot of these songs are serious life vignettes. And this helps you to relate to other people. It shows that deep down, we all have the same emotional issues and problems. And this brings people together. That’s part of the power of the blues.”. Email Paul Freeman at email@example.com. Who: Sid Morris Gang with special guest Steve Freund. Where: Poor House Bistro, 91 S. Autumn St., San Jose. When: 6-9 p.m. Wednesday, Aug. 23, 2017. Admission: Free; 408-292-5837. Who: Vocalist Jan Fanucchi with Steve Freund.
Cast: John Cho, Haley Lu Richardson, Parker Posey, Rory Culkin; Unrated, 1:44, This gorgeous, contemplative indie drama from first-time writer-director Kogonada follows two lonely, lovely young strangers — Casey (Richardson) and Jin (Cho) — who strike up a friendship over several days spent walking and talking their way around Columbus, Indiana, Casey is a recent high school graduate and part-time librarian, who lives with her mother, a recovering drug addict, Jin is a book translator in his mid-30s who lives in Seoul, and has flown in freed aspire satin ballet shoes to visit his sick father, a renowned architecture scholar who suddenly collapsed while touring the Indiana town..
Thanks to a wealthy benefactor who commissioned name-brand architects, Columbus has long been celebrated as an improbable Midwestern enclave of midcentury modern buildings — a public showcase for the splendors of Eero Saarinen, I.M. Pei and other leading architects of the time, hence the visit by Jin’s father. Casey cares for her mom with a level of devotion that, as some friends point out, is holding her back from her own ambitions. Jin, meanwhile, hasn’t spoken to his father in more than a year, and the man’s condition looks serious enough that he might never again get the chance.
For Casey, the town’s beautiful buildings have been an inspiration and an escape from the troubles of real life; for Jin, a source of resentment and a reminder of a parent who paid more attention to his vocation than his child, Along the way we realize freed aspire satin ballet shoes we’re watching a story about people who have tried, in very different ways, to avoid the burden of pain, even as shifting circumstances force them to reconsider their definitions of home, The images in Columbus, beautifully lighted and meticulously composed by Elisha Christian, play ingenious tricks with depth, focus and perspective, framing Jin and Casey not just against stunning structures but through doorways, down corridors and even from the backseat of a car..
Richardson, so engaging in movies such as “The Edge of Seventeen” and “The Bronze,” and Cho, whose charisma warrants more leading roles like this one, make those spaces feel charged with meaning. What’s remarkable about Kogonada’s debut is that technique never overwhelms feeling. In fact, the Korean American director makes the two seem inextricably linked. “What moves you, particularly, about a building?” Jin asks Casey in one scene, after she has carefully laid out the history of the one-story glass structure that once housed Columbus’ Irwin Union Bank. He’s trying to push her past a strictly intellectual response toward a more personal one.
But Kogonada understands there’s less of a difference than we might think between those, and he never lets us see where thinking ends and feeling begins, Cast: Menashe Lustig, Meyer Schwartz, Ruben Niborski, Yoel Weisshaus; PG, 1:21, Yiddish, a language once spoken by Jews almost everywhere, is used today largely by the ultra-orthodox in communities that insist on keeping outsiders at arm’s length, Starring nonprofessional Yiddish-speaking actors from communities in Brooklyn’s Borough Park and Crown Heights neighborhoods, “Menashe” is freed aspire satin ballet shoes filmed in that language, though director and co-writer Joshua Z, Weinstein did not speak it, It’s a gentle, melancholy father-and-son story that’s as notable for its evocation of its self-contained world as for its drama..