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Alonzo King may beg to differ, as his own company was preparing for its spring season a mere two weeks before he premieres his “The Collective Agreement” at Unbound. All choreographers have their unique way of conceptualizing ideas and developing a process to nurture those seeds into finished dance productions. Edwaard Liang’s “The Infinite Ocean” was inspired by with the passing of a friend. The resulting ballet, he says, “is about people transitioning, letting go of their earthly dramas, relationships and what I consider how people truly let go.”.

David Dawson felt that his career as a dancer was preparation for being a choreographer, citing the inspiration of dancing to works of Ashton, MacMillan, Hans van Manen and William Forsythe, “I quit dancing when I how to tie ribbons on pointe shoes was 29 and since have moved into my own voice,” he says, “All the people I worked with are going to echo through my imagination, I have developed a kind of lyricism for myself, It’s more important to create beauty in the world than to give up on it.”, On the other hand, about his “Let’s Begin at the End,” Rhoden says, “ My work is very physical, very technical, a lot of details, complexity, Definitely classical technique but with a freedom in the upper body, more mobile, more free..

“Working with new dancers in new places really brings out something in me. I love working collaboratively. I don’t mean I let the dancers make up the steps, I mean I let them know they have the power to influence the direction and participate in how we get where we’re going.”. The narrative ballet “Snowblind,” by Marston, is based on the Edith Wharton novella “Ethan Frome.” The love triangle tale is set in wintry New England. “It’s very snowy, it’s cold, it’s bleak, so I wanted to find a way in movement to convey this elemental feel,” she said. “We’ve got a group of people who are the snow.  Snow can have different qualities, it can be light and playful and beautiful and seductive and fascinating.  It can beat at you and sting.  And it can also be very claustrophobic and heavy and smother you. So we’re using the qualities of snow to amplify the emotional story that’s going on between the three characters.”.

Wheeldon says his new work, “Bound To,” “is the first ballet that I’m making in flat shoes, partly because the theme of the underlying narrative needs to be more grounded and human, The overarching theme is the disconnectedness of our time, how we are perhaps even more connected with our devices than we are with each other.”, Lopez Ochoa’s “Guernica,” a take on themes of war and sensuality in Picasso’s paintings, is enhanced through costumes by Mark Zappone, “He’s going to take a painting  by Picasso and print it on lycra, then he’s making leotards from that so that everyone wears a part of the painting, Sometimes I have moments when they come together, We’re how to tie ribbons on pointe shoes making a cubist painting of a cubist painting.”..

The choices in music also reflect a vast range from Bach to Björk, and in between: Amy Beach, Arthur Foote, Philip Feeney, Arvo Pärt, Philip Glass, John Adams, Michael Nyman, Ezio Bosso, M83 and Michel Banabila, Chris Garneau, Keaton Henson and two commissioned scores from Jason Moran and Oliver Davis. In other words, there is something for everyone at the Unbound Festival. Presented by San Francisco Ballet, featuring new works by 12 choreographers. Through: May 6. Where: War Memorial Opera House, 301 Van Ness Ave., San Francisco.

Now that spring has arrived, there seem to be more activities going on for hobbyists and history buffs residing in the Bay Area, The 23rd annual Los Gatos Historic Homes Tour: Seven charming homes in one of the oldest neighborhoods of the town will be on parade on April 21, It’s part of a weekend-long celebration of local history, On April 22, an evening of food, wine, song, storytelling, dance and more called A Bigger Bash will be hosted by the History Club of Los Gatos, Details: Los Gatos Historic Homes Tour, Saturday, April 21, 9 a.m, – 5 p.m, Tickets purchased by April 15 how to tie ribbons on pointe shoes are $50; tickets purchased after that date are $65, Location of homes given to ticket holders, The Bigger Bash, Sunday, April 22, at the History Club, 123 Los Gatos Blvd, Los Gatos; doors open at 5 p.m., $175 per person, Tour + Bash tickets are $200, You canpurchase tickets, go here or call 408-354-2646..

A special shopping experience:  The Charter Auxiliary for Children holds a big “Pop-Up” rummage sale benefiting the Lucile Packard Children’s Hospital at Stanford the end of this month and early June.  Expect good buys on all sorts of donated merchandise. Antiques and collectibles are known to figure in the mix. Details: The event is held at the vacant Big Lots store in the strip mall located at 1525 Broadway, Redwood City (off 101 at Woodside Road), April 27-28 and June 1-2 , 10 a.m. – 2 p.m. Call 650-497-8332 for more information.

CoinExpo Santa Clara:  “The Kid That Picked the Gold Coin” and “Kid’s Treasure Hunt”, sponsored by the American Numismatic Association, are among the exciting promotions at the CoinExpo Santa Clara – Rare Coin, Gold & Silver how to tie ribbons on pointe shoes Bullion, Stamp & Collectibles Show, featuring 70 vendors, It is largest show of its type in Northern California, Any youth under the age of 18 will have the opportunity to pick a gold coin out of a canvas bag of otherwise common coins each show day, Folks are able to attempt a try once daily and must be accompanied by an adult..

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