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“I believe this chamber work is absolutely right for SFDanceworks,” he continued. “Ideally, I would love to be in San Francisco to work with the dancers, but my workload of late has been quite heavy, and I am having to be selective in the amount of traveling I take on. I will be able to view footage during the rehearsal process and so can have some input. “Yes, there will be a great deal of emails flying between myself and (rehearsal director) Dawn Scannell,” Bruce added. “She is as particular as I am when it comes to detail. Dawn danced in so many of my works at Houston Ballet that I feel she has my movement in her blood. She is still a wonderful dancer and demonstrates the choreography so clearly.
“Anything the dance expresses should come through the movement, not through emoting, I like the work to be restrained for the most part, understated, This will lead to a wider variety of interpretations, I do think that one of the strengths of dance is its ability to convey a collage of ideas, an ambiguity which can produce a rich vein of ideas.”, On the historical end of the spectrum, dance shoes sherman oaks Pascal Molat, a former principal dancer with San Francisco Ballet, will perform “Chaconne,” a solo created in 1942 by the legendary choreographer José Limón, Violinist René Mandel will perform the live music for Molat, J.S, Bach’s Chaconne from Partita No, 2 in D minor..
After a rehearsal Molat explained, “Jim asked me right after I retired last year if I would dance this season, and he showed me a video of “Chaconne.” It’s a very long piece with different kinds of movement and beautiful music. When I started to learn it, I saw what a big challenge it was going to be. As a more mature artist, I decided I had to stop worrying and feel free and enjoy dancing in the moment.”. Sofranko commissioned Bay Area modern-dance choreographer James Graham to make a still untitled piece. Graham said, “I knew that it was a ballet company, and I am a modern dancer. So I asked Jim, ‘What makes you want to have me choreograph for your company?’.
“He replied, ‘The theme is past, present and future — you’re future, So make anything, like you normally would make.’ What I love about ballet dancers is that, because in the classical works they’re doing roles — a sylph, a dying swan, a hero, a prince — they go easily to those places, I have had them explore movement and take on various qualities and — boom! — they are there.”, Alejandro Cerrudo and Penny Saunders, who showed their work on last year’s program, will return with pieces they choreographed for other companies, Cerrudo’s pas de deux “Never Was” (2012) will be danced by Brett Conway and Danielle Rowe, Saunders’s dance shoes sherman oaks “Soir Bleu” (2015), for an ensemble of seven dancers, was inspired by Edward Hopper’s painting of the same name; it was premiered by Whim W’Him of Seattle, Rowe’s “For Pixie” (2016) will be reprised and expanded with the original dancers, Conway and Laura O’Malley..
After a friend recommended she watch it, Sofia Coppola found herself intrigued by the sexual politics of the 1971 film “The Beguiled,” directed by Don Siegel and starring Clint Eastwood. The Southern gothic psychological thriller is set toward the end of the Civil War in and around an isolated Southern girls’ boarding school in Virginia where a handsome, wounded Union soldier has been given temporary sanctuary. “I thought it was an interesting, loaded premise,” says Coppola, the writer-director of “Lost in Translation,” “Marie Antoinette” and “The Bling Ring.” “It was so much about power between men and women and all these dynamics that were under the surface.”.
Her version of “The Beguiled” opens Friday and stars Colin Farrell, Nicole Kidman, Kirsten Dunst and Elle Fanning, Last month at the 2017 Cannes International Film Festival, Coppola was dance shoes sherman oaks named the winner of the Best Director award for the film, “The Beguiled” marks something of a departure for the filmmaker, It’s her first genre movie, While intrigued by Siegel’s film, Coppola had no interest in doing a simple remake, So she turned to the source of the original film, a 1966 novel by Thomas Cullinan, which is being rereleased this month..
“I thought the film was from the soldier’s point of view,” says Coppola, “and I wanted to tell the story from the females’ viewpoint.” In fact, the novel unfolds with each woman at the school recounting their part in the story. While Siegel’s film had a hothouse, sexualized atmosphere, Coppola avoids such over-the-top elements. She sticks to a reality-based story, but she did add a scene to her film in which Farrell’s soldier receives an intimate, drawn-out sponge bath from Kidman’s Martha, who is both embarrassed and turned on.
“It seemed funny to me because she is so torn, and he’s the object,” says Coppola, who admits being embarrassed to ask Kidman and Farrell to do the scene but adds, “They were pros.”, The dance shoes sherman oaks director, who had never worked with Kidman, imagined her in the role of Martha when writing the script, For two other key roles in the film, Coppola turned to actresses she was familiar with, She cast Dunst in her first film, 1999’s “The Virgin Suicides,” and later in the title role in 2006’s “Marie Antoinette” and thought of her for Edwina, the vulnerable, repressed schoolteacher..