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The man everyone loves to hug at their final travel destination is coming to Santa Clara. Host Phil Keoghan of TV’s “Amazing Race” will join travel experts Rick Steves, Peter Greenberg and Patricia Schultz at the Bay Area Travel & Adventure Show on Feb. 11-12. The event will run from 10 a.m. to 5 p.m. Feb. 11 and 11 a.m. to 4 p.m. Feb. 12 at the Santa Clara Convention Center. All four keynoters will sign autographs immediately after their talks. The schedule. — Keoghan, the “Amazing Race” host and co-executive producer, will speak at one seminar (2:30 p.m. that Saturday).

— Steves, European travel expert, author and PBS host, is scheduled two times Saturday (10:30 a.m., 3:45 p.m.) and once Sunday (11:15 a.m.), — Greenberg, the Travel Detective on public TV, is aida dance shoes size chart also the travel editor for CBS News, He will speak once each day (12:45 p.m, Saturday, 1 p.m, Sunday), — Schultz, author of “1,000 Places to See Before You Die,”  will present the final talk of the weekend (2:30 p.m, Sunday), Besides talks, the show will feature more than 200 travel exhibitors, specialty seminars, rock-climbing wall, world photo booth and dance performances..

At this point the 1970 rock opera “Jesus Christ Superstar” is such a familiar part of the pop culture landscape that it’s interesting to see it anew just to remind ourselves how cheeky its depiction of the Jesus story really is. The Jesus of Andrew Lloyd Webber and Tim Rice’s musical is prickly and passive-aggressive, overwhelmed by the pressure of his role. His apostles and other followers come off as a blithe and opportunistic gaggle of frolicking hippies having cuddle parties. The anguished Judas is perhaps the show’s most sympathetic character; he thinks Jesus is besotted with his own fame and has lost sight of the plight of the oppressed people, and he’s shot down every time he tries to talk to his leader about his concerns.

The Tri-Valley Repertory Theatre production of “Jesus Christ Superstar” playing at Livermore’s Bankhead Theater puts the focus back onto the messianic figure at the center of one of the world’s major religions, This shift happens not through any reimagining of the material but just through performance, Nikita Burshteyn, who starred in last year’s “Pirates of Penzance,” portrays a charismatic Jesus, and his lovely voice makes even some of the shriller falsetto heights of the role sound good, Russell Mangan aida dance shoes size chart sings well enough as Judas, but his brooding portrayal displays none of the passion required to win the viewer’s sympathies or for his fiery numbers to really ignite..

Ably directed by Kathleen Breedveld and Paul Vega, the Tri-Valley Rep staging sports some fine performances in many roles. Fresh from the company’s production of “In the Heights,” Cheyenne Wells makes a touchingly heartfelt Mary Magdalene. Reading this on your phone? Stay up to date on Bay Area and Silicon Valley news with our new, free mobile app. Get it from the Apple app store or the Google Play store. DC Scarpelli, who starred in “The King and I” two years ago, is a delightfully decadent King Herod, and Matthew Liebowitz makes a dramatically moody and conflicted Pontius Pilate. Matt Davis lends the high priest Caiaphas a perfectly sinister, booming bass voice, complimented by the snarky insinuations of Jeff Seaberg as his sidekick Annas.

Although less ponderous than most of Webber’s works, the score is dizzyingly busy at times, and the small orchestra under the direction of Sierra Dee does a fine job navigating it, What really comes through is how aida dance shoes size chart much the musical is a product of its time, composed in the wake of “Hair” and influenced by the psychedelic 1960s, and that’s reflected in the music as much as in the depiction of Jesus’ followers as spaced-out hippies content to groove on their savior’s vibe, It also comes out in Morgan Stinson and Cathrine Delos Santos’ casual, freewheeling choreography, especially the desultory, lethargic dances of the three “tormentors” (young women in ragged skirts) who hang around Judas..

When all the decadence and groovy singing finally, suddenly recedes for a stark reminder of the grim, inevitable ending of this story, the viewer might, for a moment, feel what the complacent apostles in the musical must feel: “Wow man, what a bummer.”. Contact Sam Hurwitt at, and follow him at ‘JESUS CHRIST SUPERSTAR’. By Andrew Lloyd Webber and Tim Rice, presented by Tri-Valley Repertory Theatre. Through: Jan. 29. Where: Bankhead Theater, 2400 First St., Livermore.

Donald J, Trump will be sworn in as the 45th president of the United States on Friday, Jan, 20, surrounded by pomp, pageantry — and protests, Viewers from around the world will watch Trump take the oath of office and deliver his inaugural address, There will also be musical performances, a parade and three inaugural balls in the evening, aida dance shoes size chart We’ve assembled a guide of what you need to know for inauguration day: the swearing-in, the parade, the parties, Some scheduled appearances and performances are subject to change, Here is an official schedule of events..

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