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His new album “Folklife” (Borealis Recording) reflects Stone’s desire for a working ensemble while following a similar road map, with new arrangements of songs gleaned from Lomax field recordings. The West Coast tour features two of the album’s core players — well-traveled vocalist and multi-instrumentalist Moira Smiley and rising fiddler Sumaia Jackson — and a prodigious ringer, Northern California fiddler and cellist Tristan Clarridge. “Tristan is one of my very favorite musicians in the world,” Stone says. “Oftentimes when we play on the West Coast we rope him in. He can play the bass role, but he’s a total rhythmic and melodic powerhouse.”.
A five-time Grand National Fiddle champion and a cellist who’s influenced a generation of players with his command of folk idioms, jazz and pop, Clarridge toured pointe shoes feet and recorded with Darol Anger’s Republic of Strings as a teenager and went on to work with the seminal newgrass band Crooked Still before launching the Bee Eaters with his sister, the similarly brilliant fiddler Tashina Clarridge, Together they run the Shasta String Summit, a summer program that changed Sumaia Jackson’s musical course..
Now based in Nashville, Jackson grew up in Santa Cruz and studied at Alasdair Fraser’s Valley of the Moon Scottish Fiddle School. It was while attending the Clarridges’ Shasta camp that she connected with leading players on the creatively charged Boston acoustic music scene, encounters that sparked her interest in improvisation. A standout at Boston’s Berklee College of Music, Jackson got a call from Stone while she was in her junior year, after Lomax Project fiddler Brittany Haas landed a gig with Gillian Welch and wasn’t available for many Folklife gigs.
“I called all of the teachers in Berklee’s American Roots Music program, Darol Anger, Bruce Molsky, Casey Driessen, and everyone recommended Sumaia,” Stone says, “She may be the first musician I’ve ever worked with sight unseen, and she turned out to pointe shoes feet be perfect, a great singer and a sweetheart.”, Jackson has thrown herself into the Folklife process, which starts with close listening to Lomax recordings and ends with the inexplicable group alchemy that transform the initial song seed into a strikingly new hybrid, For instance, at one rehearsal Smiley brought in a Caribbean-tinged square dance song sung by Shirley Collins that Lomax recorded in London in 1955, “Hey, Lally Lally Lo,” which ended up on the album set to a slow and insinuating jazzy groove..
“We listen to the original a lot to and take what we want and what we can,” Jackson says. “It’s not like we’re trying to copy arrangements. We just take it these people have the skeletons of incredible songs, and it’s so fun see what we can come up with. It’s always a process, and every time we play them is different.”. Contact Andrew Gilbert at firstname.lastname@example.org. JAYME STONE’S FOLKLIFE. When & where: 8 p.m. May 31 at Freight & Salvage, 2020 Addison St., Berkeley; $20-$22; 510-644-2020, thefreight.org; 7 p.m. June 1 at Kuumbwa Jazz Center, 320 Cedar St., Santa Cruz; $22-$27; 831-427-2227, www.kuumbwajazz.org.
There’s plenty of amazing music — and great festivals — to be had in the pointe shoes feet Bay Area on this Memorial Day weekend, Here are a few of our favorites, Hip-hop on a battleship: It might seem odd to have a cannabis-craving artist like Wiz Khalifa performing on a decommissioned U.S, Navy aircraft carrier, but it’s no joke, The hip-hop star heads an A-List lineup — Wu-Tang Clan, YG, Lupe Fiasco, DMX, Wyclef and more — playing the Ship Show this weekend aboard the USS Hornet in Alameda, The event on May 27-28 will also feature plenty of food, wine, beer and cocktails, a technology garden and other amusements, Details: 3 p.m, each day; ticket packages run $89 to $5,000 (for VIP treatment); www.uss-hornet.org.— Randy McMullen, Staff..
Remembering a jazz giant: Reprising last summer’s revelatory Davies Symphony Hall concert, SFJazz reunites three of the Caribbean’s most prodigious pianists for a tribute to the great Cuban composer Ernesto Lecuona (1895–1963). Featuring the greatest Cuban pianists of their generations, 75-year-old Chucho Valdes and Gonzalo Rubalcaba, who turns 54 on Saturday, as well as and Dominican-born Michel Camilo, 63, the concert focuses on Lecuona’s popular songs, like “Malagueña,” “The Breeze and I,” and the Oscar-nominated “Siempre en mi Corazón,” a small portion of his vast and varied oeuvre. Details: 7:30 p.m. May 25-27, 4 p.m. May 28; SFJazz Center, San Francisco; $50-$110; 866-920-5299, www.sfjazz.org.— Andrew Gilbert, Correspondent.
An artist with pizazz: Eyvind Earle joined Walt Disney Studios as a background painter in the 1950s and quickly made his mark, His lively, evocative style was evident in an early short animation work, “Toot, Whistle, Plunk and Boom,” which won an Oscar, He went on to design such classic works as “Sleeping Beauty” and “Lady and the Tramp,” before going on to pointe shoes feet an acclaimed career as a painter and illustrator, Items from throughout his career are on display in the new exhibit “Awaking Beauty: The Art of Eyvind Earl” at the Walt Disney Family Museum in San Francisco’s Presidio, Details: Through Jan, 8; 10 a.m.-6 p.m, daily except Tuesdays; $15 (separate from museum admission of $15-$25); waltdisney.org.— Randy McMullen, Staff..