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This collaboration between Sanders and Peninsula Ballet Theatre debuted in 2015 in the company’s 150-seat studio. It was such a hit, they moved “Hip Hop Nutcracker” to the Fox the following year. This will be its second year at the venue. Peninsula Ballet Theatre, a non-profit organization based in San Mateo, again teamed with Sanders to update Prokofiev’s “Cinderella” this past spring. In April, Amato will use some of Sanders’ dancers in the ballet company’s production of “Carnival of the Animals.”.
Amato and Sanders are contemplating a future joint venture, “We’re just trying to find the right project,” Amato said, “It’s a delicate balancing act, Generally, in the past, trying to do this kind of thing has been what is the shank of a pointe shoe made of cheesy and corny, It’s hard to meld them, But with Stuck’s talent and with his dancers and with our dancers, we can create something really special.”, Peninsula Ballet Theatre is celebrating its 50th anniversary, Amato hopes that, with such collaborations, they can grow both the ballet audience and the hip hop audience, He thinks it’s important to be willing to experiment..
“We’re going to continue to work with Stuck as much as we can, because the broader our base is, the better it is for all of us – better for the dancers, better for the audience. “To keep arts alive, we have to pull in from all different areas. We have to be inclusive, involve all different communities. We’re trying to reach out. Ballet has always incorporated other styles of dance. And hip hop may be one of the ones in the future.”. Sanders said, “It’s rare to get a platform where the styles can link. The ballet audience definitely doesn’t get a lot of hip hop creativity. And same with the hip hop world — we don’t see a lot of ballet creativity. So it’s great to see a different interpretation of such a well known story.”.
“Hip hop was created in the streets, So to have it viewed by people who normally wouldn’t probably otherwise see this element of creativity is one of the goals.”, Amato said that the dedication of Sanders, Martinez and their dancers to their art form equals that of his ballet performers, “They live, eat, breathe dance, Their dance is hip hop, but they are just as committed, I’ve been a dancer-director for more than 40 years and these are some of the what is the shank of a pointe shoe made of most talented dancers I’ve seen in a long time.”..
Sanders said, “One of my biggest goals is to get to a Broadway level of producing plays, musicals. So with ‘Hip Hop Nutcracker,’ it’s a great way for us to put our hip hop into storylines that people are used to. And we can build from there.”. Audiences loved the show last year and Sanders said this year’s edition will be bigger and better. “It’s only been a year, but the level is going to be really, really great. There’s going to be a huge difference.”. “It’s really exciting to watch where this may go,” Amato said. “This is the genesis of something that may be a whole new movement. Where we go, the future will tell.”.
Olga Sergeyevna Prozorova is always on her way out but never leaves, Olga and her sisters in Anton Chekhov’s play “Three Sisters” keep talking about how they’re going to go back to Moscow, and it keeps not happening, Perhaps that’s one reason why Olga has never left Beth Wilmurt either, Wilmurt is the writer and performer of “OLGA A Farewell Concert,” a cabaret evening in the what is the shank of a pointe shoe made of persona of Olga that Aurora Theatre Company commissioned to kick off its new works initiative, Originate + Generate, now playing in a limited two-week engagement on Aurora’s intimate second stage, Harry’s UpStage..
The character has stuck with Wilmurt ever since she played Olga in “Yes Yes to Moscow,” a devised piece with longtime partner Mark Jackson ten years ago. “Mark and I went to Germany, and we made this piece with a couple of German artists,” Wilmurt recalls. “It was as if the sisters made it to Moscow, but right before they entered they were in some kind of holding pattern where they just couldn’t take the final step. It was like a dance theater piece. We did it at the San Francisco International Arts Festival in 2008, too. And the character kind of stuck with me. I thought I want to do more with her.”.
And so Wilmurt decided to keep the relationship going, “Usually as actors we don’t really get to do that,” she said, “The play’s over, and we let go of that character, I enjoy taking characters out of their theatrical context and see how they live, I wanted to live with Olga a little bit longer, so I thought she might be a nice candidate for a cabaret act.”, The musical numbers aren’t originals but preexisting songs that said Olga to Wilmurt, “I started collecting music that seemed like things she’d sing about or think about,” she says, “I guess one main theme was her stuckness, The girls are always talking about going to Moscow, but they never get there, Denial and being stuck, having dashed hopes, her spinsterhood — those are some of the main themes, We’re doing what is the shank of a pointe shoe made of maybe 17 or 18 songs, but I’ve learned about 50 songs that feel like Olga, so I actually have several set lists, Maybe even over the course of the nine days we might swap out a song.”..