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Ewing, who’s originally from Mason City, Iowa, but now calls Mill Valley home, has been involved in several renditions of “Cabaret” since 1998. Even nearly 20 years later, she is still challenged by the show, she said. While on the surface it looks like an entertaining and fun piece with an iconic score, the story of “Cabaret” remains as powerful and important as ever, she said. “This particular show is so important now, because it is set on this dangerous political background with the people of its time polarized,” said Ewing. “It makes you really reflect about what’s going on in our country right now, so even though it’s about the ’30s and even though it was 50 years ago, it’s still very, very relevant today politically, and it really leaves you deeply thinking as you leave the theater.”.
Rounding out the cast are Larkin, who will be making her “Cabaret” debut as Sally Bowles, Benjamin Eakeley as Clifford Bradshaw, Mary Gordon Murray as Fräulein Schneider, Scott Robertson as Herr Schultz and Patrick Vaill as Ernst Ludwig, Every character in the show plays an instrument, said Ewing, “We are the orchestra; we are playing all the music, so when we’re not dancing we’re playing womens dance shoes our instruments,” she said, “Every person on the show is on stage the whole time.”, “Cabaret” premiered on Broadway in 1966 and went on to win numerous Tony Awards, among them best musical and best score, The memorable song list by John Kander, Fred Ebb and Joe Masteroff includes “Cabaret,” “Willkommen” and “Maybe This Time.”..
The production is based on John Van Druten’s 1951 play, “I Am a Camera,” which was adapted from the short novel “Goodbye to Berlin” by Christopher Isherwood. BT McNicholl serves as the director on tour, while Cynthia Onrubia is in charge of choreography. The design team includes set design by Robert Brill, costume design by William Ivey Long, lighting by Peggy Eisenhauer and Mike Baldassari and sound by Keith Caggiano. Produced by the Roundabout Theatre Company, the national tour kicked off in Providence, Rhode Island, in January 2016. The San Jose engagement is presented as part of Broadway San Jose’s 2016-17 season.
For womens dance shoes its season closer Symphony Silicon Valley didn’t decide to just spice up its program with a little tango, In deepening the ensemble’s relationship with Argentine conductor Carlos Vieu and his countryman, New York City-based composer and bandoneon master J.P, Jofre, SSV is taking a deep dive into the tempestuous and emotionally wrought style more associated with nightclubs and dance studios than concert halls with two performances at the California Theatre this weekend, Spearheaded by Astor Piazzolla, the nuevo tango movement long ago transported tango onto concert stages, but his dramatic works are usually performed by small ensembles, like violinist Gidon Kremer’s sensational Kremerata Baltica, The centerpiece of SSV’s “Misa Tango” program is the large scale “Symphonic Tango Suite,” a portmanteau work made up of five of the most representative tangos by Piazzolla and fellow innovator Horacio Salgán, who died last August at the age of 100..
“Each one in his own way has been the maximum exponent in the evolution of the genre,” Vieu wrote in an email from Buenos Aires. “Salgán, the most exquisite composer of all, is the king of virtuosity, syncopation and counterpoint. On Astor’s side, perhaps the most international tanguero after Gardel, we can see the influence of baroque music, and composers like Ginastera and others with European roots.”. Vieu made his SSV debut in the fall of 2014 conducting Carl Orff’s “Carmina Burana” and the world premiere of Jofre’s bandoneon concerto “Tango Movements,” a “sweepingly romantic, elegantly crafted and rhythmically charged” work, Richard Scheinin wrote in his Mercury News review.
Vieu isn’t interested in rehashing the longstanding and womens dance shoes still simmering controversy amongst Argentine composers and musicians over the authenticity of Piazzolla’s work, “whether his music should be considered tango or something entirely new with a tango twist,” he writes, Steeped in the folkloric tango tradition, Piazzolla and Salgán have both earned international recognition as “two ground-braking artists with traditional roots whose musical ideas transcended their own time period.”..
Vieu credits the great Argentine arranger José Carli with transforming Piazzolla and Salgán’s chamber pieces into the orchestral “Symphonic Tango Suite,” arrangements that have been played by orchestras like the Berliner Philharmoniker conducted by Daniel Barenboim. Of course, a program like this can only succeed with a master of the accordion-like bandoneon, tango’s definitive instrument. In Jofre, who was born in the regional capital San Juan in 1983, SSV has a featured soloist with a singular array of skills, a conservatory-trained artist whose “musical instincts, expressive power and the way he transforms himself when he is on stage speak to a level of maturity that goes beyond his age.”.
If one piece seems out of place on the “Misa Tango” program it’s Nino Rota’s “Suite from the Ballet La Strada.” Best known for his celebrated film scores, the Italian composer came into Vieu’s orbit via an early stint as a conductor in Mar del Plata, an Argentine city populated mostly by Italian immigrants and their descendants, “where the orchestra would perform every year as a tribute to Italian patriotic festivities,” Vieu writes, “While it is true that Rota is mostly associated with movies and Fellini, ‘Strada’s’ music is comparable to the great orchestral suites for the variety of resources, climates and descriptions highlighted in it, For me, womens dance shoes conducting this suite is not much different from conducting ‘Petroushka’ in terms of concept and the level required for its preparation.”..