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But the show wasn’t nearly as satisfying as the album, even though, ironically, it sounded a lot like the album. And that’s because one goes to a concert in hopes of seeing an artist take the material to a whole new level. Yet, St. Vincent just refused to take us any higher. And, eventually, the crowd began to respond accordingly. Sure, fans showered the star with adoration at the start of the show. But the response grew more lukewarm as the night progressed. There were a few standout numbers in the second set, as St. Vincent performed “Masseduction” from start to finish. Notably, “Happy Birthday, Johnny” was gorgeous and then there was that great tribute to the Big Apple.

The great female opera singers are often depicted as pampered and demanding, reveling in their own fabulousness, Opera legend Renée Fleming, however, has always been known for being friendly and down-to-earth, as well as immensely talented, She’s glamorous, but unwaveringly bloch vs capezio ballet shoes genuine, In a career spanning more than 30 years, she has performed for heads of state and royalty, She has thrilled audiences around the globe with her magnificent soprano voice, But Fleming doesn’t seek to be glorified, She just wants to do everything she can to spread the joy of music..

She is often referred to as “the people’s diva.”. “I think that’s the perfect oxymoron. It’s absolutely terrific,” Fleming said, reached by phone en route to a concert date. Fleming has performed at the world’s most prestigious concert halls and opera stages, but also in other settings, including the Super Bowl, President Obama’s inauguration and the 2008 Olympics in Beijing. She even appeared on “Sesame Street” and sang a Top 10 list for David Letterman. Her aim is to help open up general audiences to opera, removing the sense the genre might be an elitist form.

“Frankly, today, given the amount of information we’re bombarded with every day, it’s very difficult for classical musicians and the classical arts in general to get any kind of mainstream traction,” Fleming said, “If people don’t know about it, they’re not going to come, So it’s important for all of bloch vs capezio ballet shoes these art forms that we try some kind of larger platforms, when the opportunity arises, “People have no exposure now that music is very inconsistently offered in schools, So there’s no kind of seed, On the other hand, performing arts organizations around the country are doing a fabulous job of outreach, trying to really support the community, offering services, as opposed to kind of being the holy temples of art.”..

Fleming, who performs at Stanford’s Bing Concert Hall on Wednesday, Jan. 31, presents a diverse repertoire at her recitals. “It’s obviously music that I really love, but it’s also for the audience. We have something for everyone,” Fleming said. The concert will include pieces by Handel, Brahms and Oscar Straus, new works by Pulitzer Prize winner Caroline Shaw, an aria from a Rufus Wainwright opera, as well as a tribute to Broadway/cabaret star Barbara Cook, a friend of Fleming’s who died in August.

Fleming grew up with an appreciation for a wide range of musical styles, Her parents were high school music educators, In her playpen, Fleming would be enthralled as her mother gave voice and piano lessons at home, “I would say music was probably my first language,” Fleming said, Fleming sang, played piano, studied dance bloch vs capezio ballet shoes and Suzuki violin, Connecting with audiences took time, “Some people are incredibly natural at it, I had to learn it, And I love it now, It’s my favorite thing, It’s why I enjoy the touring so much..

“I wasn’t a natural performer. I was shy. I liked the study of music. I liked to be in a practice room. I didn’t really enjoy performing until I was already in my professional career, in my late 20s, early 30s.”. Prior to that, Fleming felt comfortable singing with a jazz trio while in college, but when performing as a classical artist, she battled nervousness. “The stage fright came from a misconception about performance. We tend to see the audience as critical, judgmental. You’re expecting them to be scoring you. Part of it is because, in classical music, we belong to this tradition, where we’re singing the same music that other people sang for centuries. And you are judged by that. Once I began to see the audience as just wanting to go out and have a nice evening, it helped.

“I have learned also to think of myself as a vehicle, a conduit for music, I think of the music flowing through me to the bloch vs capezio ballet shoes audience, as opposed to thinking of the audience as all eyes on me, feeling exposed in that way.”, Establishing a career in music, particularly in opera, is difficult, But the determination required was inherent in Fleming, “With drive, you learn resilience — because otherwise, you give up, And it is extremely competitive, Imagine, I’m from Churchville, New York, and in my early 20s, I get on a plane and go to Germany to study for a year, on a Fulbright Scholarship, hardly having traveled outside of the country, These kinds of experiences, particularly international travel in countries with foreign languages, make you much stronger and more resilient.”..

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